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Archive for the ‘Sissinghurst’ Category

Writers stamp themselves upon their possessions more indelibly than other people, making the table, the chair, the curtain, the carpet into their own image. – Virginia Woolf,  “Great Men’s Houses (1911)

That is the lovely quote that begins the introduction to Rooms of Their Own: Where Great Writers Write (2022)– and the fact that it was written by VirginiaWoolf adds a special boost to this post.

The book answers the question, “Where do you write?” for authors ranging from Maya Angelou to William Wordsworth — 50 in all. It describes their writing environments — from attics and studies to billiard rooms and bathtubs — in words written by Alex Johnson and illustrations in charming water colors by James Oses.

As the book blurb explains, it “explores the unique spaces, habits and rituals in which famous writers created their most notable works.”

Virginia Woolf’s writing lodge at Monk’s House in Rodmell, East Sussex

In addition, it details each author’s writing methods, routines and habits, as well as their ink, paper, and pencil preferences.

It also includes information on each of the locations described, many of which are private and not open to visitors.

Of particular note to readers of Blogging Woolf are the rooms used by Woolf and Vita Sackville-West. The book covers each with a four-page spread.

The tower at Sissinghurst Castle in Kent, where Vita Sackville-West’s writing room is located.

Woolf’s, of course, depicts the interior of her writing lodge at Monk’s House, along with her view from the lodge. Vita’s shows the interior of her tower room at Sissinghurst Castle, as well as a long view of the tower exterior.

Lucky for us, both Monk’s House and Sissinghurst Castle are open to visitors.

However, as I recall my last visit to Monk’s House in July of 2019, we were not permitted inside the space where Woolf wrote in her lodge. We had to view it through a window. The photo below shows that view.

In June of 2018, I got a look at Vita’s lofty writing space in the Sissinghurst tower from a doorway, after climbing the stairway that led to it. The doorway was blocked by a grille to preserve the fragile contents within. You can see what I saw in the photo below, including just some of the room’s 2,700 books.

Despite such limitations, each is certainly worth a visit.

Virginia Woolf’s desk in her writing lodge at Monk’s House, 2019. Woolfs’ tortoiseshell glasses, as well as her folders for her manuscripts, are on the table. While the Woolfs converted an old tool shed in their garden into a writing room for Virginia in 1921, by 1934 they built this new lodge with French windows. I took this photo through a window, as entry was not permitted.

Vita Sackville-West’s writing room in the high tower at Sissinghurst Castle, 2018. It appears as it was upon her death in 1962. It is lit as a night scene to prevent damage from light and reflects the fact that Vita usually wrote by lamplight in the evening. I took this photo through a grille in the doorway at the top of the stairs, as entry was not allowed.

Virginia Woolf: A shed of one’s own, p 178-9, Virginia Woolf: A shed of one’s own, p 178-9, Rooms of Their Own: Where Great Writers Write

 

 

Virginia Woolf: A shed of her own, p. 180-81, Rooms of Their Own: Where Great Writers Write

 

 

Vita Sackville West: A room to celebrate love(s), p. 138-9, Rooms of Their Own: Where Great Writers Write

Vita Sackville West: A room to celebrate love(s), p. 140-1, Rooms of Their Own: Where Great Writers Write

 

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Join Dr. Derek Ryan at Sissinghurst Catle Garden on April 5 for “Virginia Woolf’s Orlando: Masterclass,” a masterclass celebrating Virginia Woolf’s Orlando.

Rooftop view of Sissinghurst Gardens

The course will delve into the world of Vita Sackville-West and Virginia Woolf as Ryan, senior lecturer in modernist literature at the University of Kent, explores their letters. He will maintain a particular focus on those mentioning Sissinghurst Castle Garden near Cranbook, Kent.

The masterclass unfolds with a lecture exploring Vita and Orlando, leading to a workshop where participants craft a sequel inspired by Sissinghurst.

Participants will wander through the garden, immersing themselves in the letters’ nuances, and collaboratively creating a literary piece.

With his expertise and insightful guidance, Ryan brings the Bloomsbury era to life, making this 3-hour masterclass a unique and enriching experience.

Masterclass details

Where: Sissinghurst Castle Garden
When: April 5 from 1 p.m. – 4:15 p.m.
Cost: £35.
Where to meet: Participants will meet outside Visitor Reception.
What to wear: Weather appropriate clothing, as some of the class will take place outdoors.
Accessibility: Part of the event will take place upstairs in the Oast Exhibition Space, so participants should be able to navigate stairs.
Parking: There is car parking available on site with standard charges of £4 for all day parking that can be paid for at Visitor Reception. Parking is free for National Trust members.
For more information: Learn more about the class.
Booking: Book the class.

The tower that contains Vita Sackville West’s personal study at Sissinghurst Castle.

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The New York Times special fall travel section of Oct. 6 asks the question, “Can a modern family make a home among hordes of tourists under the watchful eye of England’s National Trust?”

Adam Nicolson, provides an answer. He discusses Sissinghurst in Kent, the gardens lovingly created by his grandparents, Vita Sackville-West and Harold Nicolson, and how things went for him, his wife and their two daughters when they moved in to the National Trust “home” in 2004.

It did not go well. The new setup was something of a shock. We had moved into a museum: our dogs not allowed in the garden, being shouted at by gardeners if they did wander in; our children not allowed near the greenhouses; our cars to be parked in exactly prealigned ways; instructions that we were not to have parties on the weekends – Adam Nicolson in the NYT.

Nicolson writes about the struggle to create the “placeness” inherent in the Sissinghurst of his childhood, along with the “fug of beauty” that made the site so memorable.

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Sissinghurst. It was home for Vita Sackville-West and Harold Nicolson and their sons. It is the site of one of the most celebrated gardens in English history. It is the location for Stephanie Barron’s mystery, The White Garden. And for Adam Nicolson, grandson of Vita and Harold, it is a working farm.

Anne Fernald reviews Nicolson’s book, Sissinghurst, for Open Letters Monthly. She traces the history of the property through its many incarnations and documents Nicolson’s love of the land.

Nicolson’s Sissinghurst story was also the subject of an eight-part BBC series last year, but it is not available online. However, the Kent News published a story on the project.

Fernald teaches at Fordham University and is currently at work on the Cambridge University Press edition of Virginia Woolf’s Mrs Dalloway. You can read more from her at Fernham.

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NPG 5933. Virginia Woolf (née Stephen) by Vanessa Bell (née Stephen), 1912. Oil on board, 15 3⁄4 x 13 3⁄8 inches (400 x 340 mm). National Portrait Gallery, London

If I paid more attention to painting details, I would have known that Virginia Woolf was a knitter.

Since I don’t, I had to depend on Mark Hussey‘s VWoolf Listserv alert to a knitting website article about Woolf and knitting, “Did you know Virginia Woolf was a knitter?”.

In it, the writer cites Vanessa Bell’s small portrait of her sister, painted while Virginia was working on the draft of The Voyage Out, published in 1915. In the portrait, pictured at right. Virginia is knitting.

Also mentioned are:

  • Dame Edith Sitwell’s reminiscence about Virginia: “I enjoyed talking to her, but thought nothing of her writing. I considered her ‘a beautiful little knitter.'”
  • Virginia’s 1912 pronouncement to Leonard: “Knitting is the saving of life.”

Addendum: This bit of news has generated discussion on the VWoolf Listserv. Steve Posin contributed this tidbit: While reading the Vita Sackville West biography, he learned that Vita supplied Virginia with  knitting wool as late as 1941 from sheep raised at Sissinghurst.

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