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Posts Tagged ‘Sissinghurst’

Writers stamp themselves upon their possessions more indelibly than other people, making the table, the chair, the curtain, the carpet into their own image. – Virginia Woolf,  “Great Men’s Houses (1911)

That is the lovely quote that begins the introduction to Rooms of Their Own: Where Great Writers Write (2022)– and the fact that it was written by VirginiaWoolf adds a special boost to this post.

The book answers the question, “Where do you write?” for authors ranging from Maya Angelou to William Wordsworth — 50 in all. It describes their writing environments — from attics and studies to billiard rooms and bathtubs — in words written by Alex Johnson and illustrations in charming water colors by James Oses.

As the book blurb explains, it “explores the unique spaces, habits and rituals in which famous writers created their most notable works.”

Virginia Woolf’s writing lodge at Monk’s House in Rodmell, East Sussex

In addition, it details each author’s writing methods, routines and habits, as well as their ink, paper, and pencil preferences.

It also includes information on each of the locations described, many of which are private and not open to visitors.

Of particular note to readers of Blogging Woolf are the rooms used by Woolf and Vita Sackville-West. The book covers each with a four-page spread.

The tower at Sissinghurst Castle in Kent, where Vita Sackville-West’s writing room is located.

Woolf’s, of course, depicts the interior of her writing lodge at Monk’s House, along with her view from the lodge. Vita’s shows the interior of her tower room at Sissinghurst Castle, as well as a long view of the tower exterior.

Lucky for us, both Monk’s House and Sissinghurst Castle are open to visitors.

However, as I recall my last visit to Monk’s House in July of 2019, we were not permitted inside the space where Woolf wrote in her lodge. We had to view it through a window. The photo below shows that view.

In June of 2018, I got a look at Vita’s lofty writing space in the Sissinghurst tower from a doorway, after climbing the stairway that led to it. The doorway was blocked by a grille to preserve the fragile contents within. You can see what I saw in the photo below, including just some of the room’s 2,700 books.

Despite such limitations, each is certainly worth a visit.

Virginia Woolf’s desk in her writing lodge at Monk’s House, 2019. Woolfs’ tortoiseshell glasses, as well as her folders for her manuscripts, are on the table. While the Woolfs converted an old tool shed in their garden into a writing room for Virginia in 1921, by 1934 they built this new lodge with French windows. I took this photo through a window, as entry was not permitted.

Vita Sackville-West’s writing room in the high tower at Sissinghurst Castle, 2018. It appears as it was upon her death in 1962. It is lit as a night scene to prevent damage from light and reflects the fact that Vita usually wrote by lamplight in the evening. I took this photo through a grille in the doorway at the top of the stairs, as entry was not allowed.

Virginia Woolf: A shed of one’s own, p 178-9, Virginia Woolf: A shed of one’s own, p 178-9, Rooms of Their Own: Where Great Writers Write

 

 

Virginia Woolf: A shed of her own, p. 180-81, Rooms of Their Own: Where Great Writers Write

 

 

Vita Sackville West: A room to celebrate love(s), p. 138-9, Rooms of Their Own: Where Great Writers Write

Vita Sackville West: A room to celebrate love(s), p. 140-1, Rooms of Their Own: Where Great Writers Write

 

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If you will be in New York City on March 15, you can learn about Vita Sackville-West from her cousin. Yes, I’m serious.

Sponsored by the Royal Oak Foundation, the first talk in an in-person lecture series will be given by Robert Sackville-West, 7th Baron Sackville on March 15 at 6 p.m. (ET) at 20 W. 44th Street, between 5th and 6th avenues. A reception and book signing will follow the lecture, which is titled “Vita Sackville-West and A Sense of Place.”

Information about the event, which I learned about from a press release, is a bit sketchy. The release did not include any information regarding cost, and the appropriate page on the Royal Oak Foundation website is not updated to include the lecture series focused on Vita. However, I did find this email address, which might be helpful for obtaining more information: lectures@royal-oak.org

About the lecture series

The lecture series will describe Vita Sackville-West’s life and illustrate the places important to Virginia Woolf’s friend and lover.

One of these places was Knole, the 365-room house in which she grew up but which she was not able to inherit due to her sex. Woolf immortalized Vita’s feelings about Knole in her 1928 novel, Orlando.

In his lectures, Sackville-West will discuss Vita’s connections to Knole, as well as Sissinghurst, a nearby castle ruin and tumbledown farm that is considered Vita’s greatest creation and most enduring legacy. Both Knole and Sissinghurst are now owned by Britain’s National Trust.

About Robert Sackville-West

Robert Sackville-West, the 13th generation of the family to live at Knole, studied history at Oxford University and went on to work in publishing. He now chairs Knole Estates, the property and investment company that, in parallel with the National Trust, runs the Sackville family’s interests at Knole.

Knole House, originally built as an archbishop’s palace but given to the Sackville family in 1603.

Rooftop view of Sissinghurst Gardens

 

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The New York Times special fall travel section of Oct. 6 asks the question, “Can a modern family make a home among hordes of tourists under the watchful eye of England’s National Trust?”

Adam Nicolson, provides an answer. He discusses Sissinghurst in Kent, the gardens lovingly created by his grandparents, Vita Sackville-West and Harold Nicolson, and how things went for him, his wife and their two daughters when they moved in to the National Trust “home” in 2004.

It did not go well. The new setup was something of a shock. We had moved into a museum: our dogs not allowed in the garden, being shouted at by gardeners if they did wander in; our children not allowed near the greenhouses; our cars to be parked in exactly prealigned ways; instructions that we were not to have parties on the weekends – Adam Nicolson in the NYT.

Nicolson writes about the struggle to create the “placeness” inherent in the Sissinghurst of his childhood, along with the “fug of beauty” that made the site so memorable.

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