This compilation of 31 essays presented at the 2010 conference explores Woolf’s complex engagement with the natural world, an engagement that was as political as it was aesthetic. Kristin Czarnecki and Carrie Rohman are the editors.
The essays in the collection cover diverse topics including:
ecofeminism,
the nature of time,
the nature of the self,
nature and sporting,
botany,
climate,
landscape and more.
Contributors include Verita Sriratana, Patrizia Muscogiuri, Katherine Hollis, Bonnie Kime Scott, Carrie Rohman, Diana Swanson, Elisa Kay Sparks, Beth Rigel Daugherty, Jane Goldman, and Diane Gillespie, among many others from the international community of Woolf scholars.
You can order a hard copy or download a PDF of the book. The price of the trade paperback is $24.95. You will also find links to other volumes of Woolf Conference proceedings on the Clemson University Digital Press website.
The sensation of swimming in deep water also goes along with the theme for the conference, which was “Virginia Woolf and the Natural World.” That means we heard much about Woolf and flowers, Woolf and fauna, Woolf and birds, Woolf and water and even Woolf and weather, one of my favorite topics. In fact, Gill Lowe, of University Campus Suffolk presented a paper on “Wild Swimming” as part of the first panel of the conference.
Woolf’s depth and stamina were illustrated by the variety of papers, panels, presentations and keynote speeches given at the conference. Here are some sparse notes on just a few.
Elisa Kay Sparks actually counted Woolf’s references to individual varieties of flowers for her presentation, “Virginia Woolf’s Literary and Quotidian Flowers: A Bar-Graphical Approach,” which included a spectacular slide show.
Ecofeminism — and Woolf’s connection to it — were the topics of Bonnie Kime Scott, whose keynote opened the conference, and Diana Swanson, who closed it. Scott made the point that Woolf fuses her natural images with the manmade world, and Swanson said Woolf inspires us to protect our fragile environment, an especially poignant message as oil from BP’s exploded well continues to pollute the Gulf of Mexico.
Valentina Mazzei and her Woolf bust
An opening night reception at the Anne Wright Wilson Fine Arts Gallery on campus featured glorious artwork from numerous artists around the world. Valentina Mazzei of Rome exhibited her delicately beautiful bronze bust of Woolf, which attracted much attention.
A fantastic panel on nature in both urban and rural environments — and the conflict between the two — featured papers by Teresa Boyer, Tonya Krouse and Mark Hussey. Discussion ranged from the street singer in Mrs. Dalloway to the way weather interrupts the narrative in The Years to the reflection of the public discussion of concerns surrounding the demise of the countryside in the 1920s and 1930s in Between the Acts.
War as the ultimate anti-pastoral was Kimberly Coates‘ theme, while Austin Riede discussed the debilitating effect of shell shock on its victims.
Beth Rigel Daugherty’s rapid-fire delivery of Woolf quotes about horses and “taking her fences” energized and entertained the audience, while Emily Bingham‘s surprising talk about Henrietta Bingham’s connection to the Bloomsbury Group set everyone buzzing.
Patrizia Muscogiuri, who presented a paper about Woolf’s thalassic aesthetics, and Cecil Woolf, publisher
Keiko Okaya Tanaka, Vanessa Underwood and Drew Patrick Shannon were part of an illuminating panel about St. Ives, the Isle of Skye and To the Lighthouse. And after Shannon explained the obvious but heretofore unrecognized connections between Woolf’s novel and Jill Paton Walsh’s children’s books, Goldengrove and Unleaving, many listeners probably added them to their Woolf-related reading lists.
During a panel that included Diane Gillespie and Jane Goldman, Leslie Kathleen Hankins shared slides of two drawings she discovered while leafing through Woolf’s original reading notebooks.
Verita Sriratana, Ph.D. candidate at the University of St. Andrews, Scotland
And I was thrilled to discover another Woolf reader and scholar who is exploring Woolf’s use of weather in her novels. Verita Sriratana presented a well-researched paper on weather in The Years, and she plans to include her work as a chapter in her Ph.D. thesis, “`Making Room’: Virginia Woolf and Technology of Place.” As part of our “Weather and Woolf” panel, I discussed Woolf’s use of weather in Mrs. Dalloway, To the Lighthouse and Orlando.
These are just a few highlights of a wonderful conference that left me refreshed, exhilarated, exhausted, and dizzy with ideas. For more, read Vara Neverow’s post-conference blog post and listen to Kristen Czarnecki’s pre-conference interview with NPR affiliate WUKY-FM.
