As lovers of Virginia Woolf’s words and works, we often have a favorite novel that we read and reread. Some of us have several. But a Woolf novel that we loathe? Unimaginable. At least for me.
In the June 22 issue of The Sunday Times, however, critics and writers have named their most-loathed novels. And two of them are Woolf’s.
Here are their conflicting comments about Woolf’s work in the article “Critics Choose Their Most-Loathed Books“:
- From Stephen Amidon, novelist, fiction reviewer, and former journalist:
“The Waves by Virginia Woolf is everything a novel should not be – and so much less. After the triumphs of Mrs. Dalloway and To the Lighthouse, and the fascinating experimentation of Orlando, Woolf decided to change tack with this “playpoem” and wound up sinking into a putrid morass of unreadability. Beloved of American academics – which ought to tell you something right there – the book fairly accurately simulates the experience of sitting next to a pretentious old windbag on a flight to Australia. “
- From John Carey, The Sunday Times chief books critic:
“My redmist book is Virginia Woolf’s Orlando, the acme of Bloomsburyish poppycock, a self-flattering appropriation of English literature and history, distilled from Woolf’s temporarily addled brain by the heat of her infatuation for the aristocratic Vita Sackville-West. Should be sold with a sick bag attached.
These writers would benefit from reading another article just posted to the VW Listserv, “Reviews Resonate as PR, Summary Can’t.” Written by Todd Shy, it was published in the June 22 News Observer.
In it, Shy cites Woolf’s essay, “Hours in a Library,” as a model for book review writing. In her 1916 essay, Woolf describes the difficult process of writing a good review, one that sees the book, as well as what the book is seeing.
Lists such as the one printed in the June 22 Sunday Times aren’t designed to do either. Instead they seem to be the literary version of the Jerry Springer show.
[…] lovers of Orlando posted their responses to critics who recently panned the […]
You are correct on all points. I am about to begin another read of Orlando myself. It is one of my favorite novels for all of the reasons you stated.
These people are clowns. I’ve just re-read Orlando for the umpteenth time and, as I read it in every new stage of my life, I find something new and immensely profound in its pages. Orlando is about (in no particular order) gender roles, growing up, biography, sex, love, death, memory, fame, literature, the monarchy, feminism, marriage, English property laws, what it means to be an ‘outsider,’ nature, great old English houses, and the meaning of life itself. So there!
You are right! Those are simply unmotivated attacks, which I find bizarre given that Woolf has been dead for over sixty years. I’ve been hearing lately that there is a surge of anti-intellectualism going on, and perhaps this is evidence of it?