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Archive for the ‘fashion’ Category

In a world that feels heavy right now, this post will be rather light, focusing on how Virginia Woolf still inspires fashion.

This time, it’s how Christian Dior’s spring/summer line shown during Paris Fashion Week provides a new take on Woolf’s Orlando, emphasizing the novel’s gender fluidity.

As described on the Dior website, it provides “an opportunity to reawaken essential themes related to sartorial memory — in particular the creativity of previous centuries.”

Dior designer Maria Grazia Chiuria could not have picked a better work of fiction to get creative with the fashions of previous centuries than Woolf’s psuedo-biography Orlando, in which the male/female title character lives through 400 years of history — and fashion.

Here are some of the notable features of the new Dior line, according to The Industry Fashion website:

  • opulent, gender-fluid silhouettes and intricate detailing
  • a reworking of classic Elizabethan sillouettes
  • a monochromatic color palette of black, white and cream, with flashes of red
  • ruffled shirts with high colors
  • long black coats, some heavily tailored, many trenches
  • intricately detailed dresses
  • combinations of leather and lace

“The start of the final act evoked the fusion of masculine and feminine styles. Intricately embroidered ribbons, richly woven fabrics and delicate embellishments stood alongside sharp tailoring, trench coats and oversized bags,” reflected fashion historian Robert Ossant, as quoted in The Industry Fashion story.

“The contrast of structure and softness embodied Orlando’s gender duality.”

Take a look for yourself.

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Virginia Woolf Society Turkey is holding another online seminar, and this one covers Virginia Woolf and fashion.

What: A free online talk: “‘She had a flair for beautiful, if individual dresses’: Virginia Woolf’s Style Itineraries,” as part of the Woolf Seminars series of the Virginia Woolf Society Turkey.

When: Oct. 20 at 7 p.m. (Turkey time) or noon-2:30 p.m. EST. Check times for your location.

Who: Antoine Perret, a PhD candidate in English literature at Université Sorbonne Nouvelle, Paris, will be the speaker.

Cost: Free

Registration: Open to all via the Eventbrite link.

About the talk

This talk will explore the intriguing paradoxes surrounding Virginia Woolf’s sartorial style. Deemed highly unfashionable by her contemporaries, she now stands as a style icon, inspiring designers and gracing the pages of fashion magazines. Woolf’s personal relationship with clothes was in itself contradictory, always oscillating between love and hate.

Perret arguesthat Woolf’s shabby looks and ostensible disinterest in dress can be seen as a posture that not only helped crafting her bohemian public persona, but also took part in her subsequent celebration on the fashion scene. Drawing from her fiction, he will eventually explore how Woolf’s distinctive style and fascination with dress also influenced her literary use of clothes.

About the speaker

Antoine Perret is a PhD candidate in English literature at Universite Sorbonne Nouvelle, Paris. Supervised by Professor Catherine Lanone and Dr. Floriane Reviron-Pi?gay, he is currently writing a doctoral thesis on fashion, style, and modernism, focusing particularly on the works of E.M. Forster, Virginia Woolf, and Jean Rhys. Arguing for a material approach to literary modernism, his research addresses the role of clothing within the diegesis, while also exploring the concept of fashion taken as a social phenomenon, in particular its influence on the literary community and on aesthetic practices, so as to interrogate the modalities of modernism and its reception.

About last month’s talk

Last month, Virginia Woolf Society Turkey hosted a free online talk on “Unwriting and Rewriting History and Literary History: Woolf’s Fictions and Essays,” as part of the Woolf Seminars series.

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Clarissa Dalloway took her famous walk through London in June of 1923. One hundred years later, you can join the Virginia Woolf Society of Great Britain for DallowayDay 2023 with its theme of “Dressing the Part.”

Date: Saturday 17 June 2023
Place: Hatchards, 187 Piccadilly, London W1J 9LE
Theme: This year’s theme for Clarissa Dalloway’s very own day is Bloomsbury, clothing and dressing up; party wear and everyday wear.
Tickets: All are welcome, and discounts are available for VWSGB members.
Bookings via Eventbrite.

Questions to explore

  • How did Bloomsbury represent themselves visually, in portraits and photographs? Participants will look at the clothes produced by the Omega workshops, and those in Virginia Woolf’s own wardrobe.
  • She was accused of being ‘badly dressed’, but what does this really mean? What did it take (other than a glamorous frock) to be a Grand Society Hostess like Sibyl Colefax, Ottoline Morrell, Emerald Cunard and Mary Hutchinson?
  • And Clarissa Dalloway’s party was a great success, but what kind of hostess was its creator, Virginia Woolf?

The day’s schedule

11.30 a.m.–12.30 p.m. A Bloomsbury Walk
Guided by Clara Jones (Virginia Woolf: Ambivalent Activist) of King’s College, London.

2–3 p.m. Clothes Maketh Bloomsbury
A panel discussion with Wendy Hitchmough (The Bloomsbury Look), Claire Nicholson (VWSGB Chair) and Charlie Porter (Bring No Clothes: Bloomsbury and the Philosophy of Fashion), chaired by Maggie Humm (Snapshots of Bloomsbury: The Private Lives of Virginia Woolf and Vanessa Bell).

3–4 p.m. Wine & sign break
Drinks and nibbles will be served while you mingle with other Woolf enthusiasts and get your books signed by the speakers.

4–5 p.m. Bloomsbury in Society: Parties and Hostesses
A panel discussion with Sian Evans (Queen Bees: Six Brilliant and Extraordinary Society Hostesses Between the Wars) and Nino Strachey (Young Bloomsbury: The Generation That Reimagined Love, Freedom and Self-Expression), chaired by Mark Banting (Events Manager, Hatchards).

Dalloway Day at the Royal Society of Literature

Get the details about RSL events available on or after June 14.

Tell us about your Dalloway Day event

We urge you to add your own events in the comments section below or by sending an email to woolfwriter@gmail.com. And please use the hashtag #DallowayDay in your social media posts so we can track them.

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Virginia Woolf has arrived in Richmond. The life-sized bronze statue of Woolf arrived this week and will be installed in November in the heart of the London borough where Woolf lived for 10 years.

Arts and education charity Aurora Metro launched the project to commission, fund and erect a statue of Woolf in Richmond Upon Thames in 2017. It recognizes Woolf’s life in Richmond from 1915 to 1924, along with her founding of The Hogarth Press with husband Leonard and the publication of her first novel, The Voyage Out, in 1915.

Aurora Metro raised £50,000 to fund the statue, designed by award-winning sculptor Laury Dizengremel. It features Woolf sitting on a bench and will be installed at Richmond Riverside near the entrance to Heron Court.

Aurora Metro is still soliciting funds to cover the installation, associated literary events and maintenance of the statue, which is the only full-sized statue of Woolf in the UK. Anyone who would like to be invited to the launch can do so by making a donation of £100 or more.

For the latest news about the statue, follow on Twitter @VWoolfstatue or on Facebook/VWoolfStatue.

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Brontë Parsonage Museum in Haworth

When Virginia Woolf visited the Brontë home and Brontë Museum in Haworth on Nov. 24, 1904, she wrote about it.

That piece was her first accepted for publication and just the second to appear in print. The Guardian published it unsigned on Dec. 21, 1904. 

In it, Woolf wrote of Charlotte:

Her shoes and her thin muslin dress have outlived her.

Woolf describes those items as “touching” and mentions those objects, along with Emily’s “little oak stool,” as those that gave her “a thrill.”

In the Yorkshire Post, Ann Dinsdale, principal curator at the Brontë Parsonage Museum, describes Woolf as being “brought up short by the sight of Charlotte’s dress – because it made her realise that apart from being a great literary mind, she was a real woman.”

Defying Expectations exhibit

Dinsdale’s remark is part of a discussion of “Defying Expectations,” the museum’s current exhibit featuring Charlotte Brontë’s wardrobe. One goal of the exhibit is to show that Charlotte was interested in fashion, color, style and trends, as it highlights some of the more colorful and exotic accessories in Charlotte’s wardrobe.

Woolf herself justified her visit to the Brontë parsonage this way:

The curiosity is only legitimate when the house of a great writer or the country in which it is set adds something to our understanding of his books. This justification you have for a pilgrimage to the home and country of Charlotte Brontë and her sisters.

Guestbook and Giggleswick

When I toured the Brontë parsonage in 2016, I was thrilled to view — and hold in my hands — the guestbook that Woolf signed using her maiden name of Virginia Stephen, when she visited in 1904.

She was the first of only two visitors that day. The other was her companion Margaret Vaughan, wife of her cousin Will, headmaster of Giggleswick School.

Woolf stayed with the couple in the headmaster’s home when she made her 1904 trip to the Brontë Parsonage.

Page in the Brontë Parsonage and Museum guestbook signed by Virginia Woolf in 1904.

Behind-the-scenes room at the Brontë Parsonage Museum where the guestbook signed by Virginia Woolf is stored, along with other materials by and about the Brontës.

Headmaster’s home at Giggleswick School

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