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Posts Tagged ‘Virginia Woolf Society of Great Britain’

Turning my back on the view to look up at Talland House on a misty day in June of 2004.

Admirers of Virginia Woolf and protectors of her literary legacy are not giving up.

Yesterday, it seemed the legal cost of protecting the historic view of the Cornish coast and Godrevy Lighthouse from Talland House would prohibit any further action. Today, I share news from the Virginia Woolf Society of Great Britain that Polly Carter has set up a GoFundMe account to help protect that very view.

Carter, the National Trust certified gardener at Talland House in St. Ives, Cornwall, says that if the £1,400 target cannot be met, all donations will go toward creating a commemorative website with films and artworks celebrating the view for next year’s To the Lighthouse centenary events in St. Ives.

Launched on March 25, as of today the account has raised £701 — or 51 percent of its goal. Please support the effort and share it if you can by visiting the “Save the view from Virginia Woolf’s Talland House” GoFundMe campaign.

Why this new fundraising effort?

As Carter writes on the GoFundMe page:

“Unfortunately the development has just received permission from Cornwall Council to make amendments to a set of plans on a historical, 2009, planing permission. Legal advice that we took suggests that there is a legal challenge to how those amendments got attached to the permission.

If we were able to challenge this at judicial review, there is a chance that the developer would not want to build the original plans and be put off. It is not a sure way of stopping the development but this is currently our only way of impacting any change on being able to resist the view disappearing.

“This is my last attempt at raising the the funds that the campaign group need. I realise that raising that much that quickly is unlikely and if we don’t reach the target and are unable to go to judicial review, any funds that are donated will go towards commissioning a website with commemorative films and artworks of the view/centenary celebrations of To The Lighthouse next year in St Ives.”

A judicial review could halt or deter the development, but the cost of initiating it is £20,000, and funds must be raised by Monday, March 30.

Why save the view?

Talland House is important to Woolf’s legacy for several reasons. It was the setting and inspiration for her 1927 novel To the Lighthouse. It was also where Woolf and her family spent their summers  until her mother, Julia Stephen, died in 1895, when Woolf was 13.

The house and its surroundings attract hundreds of visitors each year, drawn by its significance in Woolf’s life and its central role in To the Lighthouse. “The view from the house and garden is an essential part of this heritage setting and deeply connected to Woolf’s personal history, her writing, and the development of Modernism,” according to Carter.

What is the history of the development project?

Plans to obstruct the view are not new. Earlier plans for the construction of $3 million worth of flats near Talland House in 2003 sparked protests from Woolfians around the world, and the project did not proceed. In 2009, developers submitted a new plan, but that did not move forward despite receiving planning permission.

When development plans were in the news again in 2015, Woolfians fought back against the six-flat version of the project that threatened the view of Godrevy. To someone across the pond, it seemed that the protests halted the development. But a March 28, 2026, email from Polly Carter explained why the project did not move forward.

“Just for clarification,” she wrote, “the 2015 planning permission for a different building didn’t get stopped. Cornwall Council  granted the permission, but it was never acted on by the developer and then they sold the plot, with the original planning permission from 2009, which was extant.”

Why can’t Talland House be protected?

It’s complicated. In 2015, a local resident forwarded Blogging Woolf an email from English Heritage detailing a provision that could shut down the project. It said current legislation included a provision to “avoid harm to the setting of a listed building if it contributes to the significance of the building.”

Talland House is listed and considered Grade II, which means it is “nationally important and of special interest.”  The St. Ives resident cited National Planning Framework Section 12 paras. 128,9,132 and shared that information on the St. Ives Council’s comments page for the proposed development.

Then — and now — I did not know if Talland House’s recognition as “nationally important and of special interest” helped halt the development project in 2015 — and could help it now — or not. But the email from Carter clarified the situation.

Carter wrote:

“It’s been particularly complicated due to the fact that the [current] application related to an already existing planning permission. The point made by English Heritage in 2015 would absolutely still stand if what we were dealing with was a new application.

“All the way through we having been trying to find a way to force a resubmission of the 2009 planning application so that we could object on the heritage grounds. Very sadly, this is impossible as it’s a fixed entity in law, and it’s just devastating that no one challenged the permission in 2009.”

Why is the view in jeopardy once more?

A screenshot of the planning document that shows the west and east elevations of the multi-story proposed development, which is called The Terrace St. Ives.

As described above, past efforts to block development plans that would obscure the view from Talland House resulted in temporary delays and the sale of the St. Ives property, but the original planning permission is still in place.

Now a new developer has taken up the project, made adjustments, and is moving forward under the permission granted in 2009. Cornwall Council recently approved amendments to the 2009 planning permission, and work has begun. This time, the new five-story development of 12 flats will likely give its residents a lovely view of the coast and the lighthouse, while completely blocking the view from Talland House.

This is the situation despite legal advice suggesting there may be grounds to challenge the process — and despite posted objections from St. Ives residents and others around the globe. UK media, including the BBCThe Telegraph, and St. Ives Local, have also covered this developing story.

Peter Eddy, owner of Talland House, was quoted in St. Ives Local as saying:

​​In 2022, Talland House was formally recognised as a significant heritage property in Cornwall and awarded a black plaque by the Cornwall Heritage Trust. As guardians of Talland House, we are committed to preserving both the fabric of the building and the unique landscape that inspired one of literature’s most iconic works. To compromise or lose the view that shaped Virginia Woolf’s creative imagination would be a travesty for the literary world and a profound loss to Cornwall’s cultural heritage.

Editor’s Note: This story was updated on March 28 to include clarifications from Polly Carter. 

Polly Carter is restoring the Talland House garden now, but this was the view of a set of stone steps leading to a “Private” area of the garden in June of 2004.

 

Professor Maggie Humm, vice-chair of the Virginia Woolf Society of Great Britain, and Councillor Johnnie Wells, Deputy Mayor of St. Ives, at the Talland House plaque unveiling on Sept. 11, 2022. Photo: St. Ives September Festival

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Blogging Woolf was part of a pilgrimage to Talland House in 2004. This photo depicts the front right corner of the home.

In mid-January, we reported on the most recent plan to construct a multi-million dollar flat project that would obstruct the view of the Cornwall coast and Godrevy Lighthouse from Talland House in St. Ives, Cornwall, the setting and inspiration for Virginia Woolf’s 1927 novel To the Lighthouse. We are sad to report that the plan is moving ahead, according to the Virginia Woolf Society of Great Britain.

Below is the text of a March 13 message sent by the Virginia Woolf Society of Great Britain, which helped lead the resistance effort.

Talland House planning update

”It is with regret that we report the decision of the Planning Committee of Cornwall Council this week to allow the planning application for a building in front of Talland
House in St Ives to go ahead.

“There were over 130 objections to the plan, including a handwritten letter from our President Dame Eileen Atkins. The Talland House Group, including the VWSGB and led by Polly Carter, the heritage gardener at Talland House, employed a KC who raised a legal challenge to the lawfulness of the application.

“The particular points brought by our Counsel remain unaddressed by Cornwall

Godrevy Lighthouse in St. Ives, Cornwall

Council’s legal department. They responded, but not to the points raised. Sadly, the developer can go ahead and build what will irrevocably destroy the To the Lighthouse view. BBC Cornwall supported our campaign.

“We are considering opening this up to judicial review and are exploring other options. The Talland House Group is to be formalised, and may have a website and events that celebrate the view and its importance to Virginia Woolf and her works.

“Time will be needed to re-focus our strategy, but we hope to issue more guidance as to how you can further support the campaign and all that Talland House stands for.

“Our thanks to everyone who contributed to the campaign against this development, and we will keep you updated. This story may not be over yet!”

 

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The good news is that The Uncollected Letters of Virginia Woolf (2025) is now out in print. The bad news is the cost: $245. But the other good news is that Edinburgh University Press is offering a “launch discount” code that saves you 30 percent off the published price. Use code NEW30 at checkout.

Amazon U.S. is also offering the volume at a price of $246.39, but no discount is available.

Edited by Stephen Barkway and the late Stuart N. Clarke, the volume includes more than 1,400 uncollected and newly discovered letters from Virginia Woolf, including several substantial series of letters with previously unrecorded correspondents.

Important letters to contemporary writers, such as Stella Benson, Rebecca West, Lyn Lloyd Irvine and Berta Ruck, have been unearthed from archives, as well as fifty letters to T. S. Eliot. This book also features substantial collections of letters to Lady Colefax, Winifred Holtby, Mary Hutchinson, Christabel McLaren (Lady Aberconway) and Raymond Mortimer, as well as previously unrecorded correspondents, according to the publisher.

Background on the new letters and the editors

For 25 years, Clarke and Barkway searched for previously unpublished letters from Virginia Woolf and included them in the pages of the Virginia Woolf Bulletin, which is issued free to members of the Virginia Woolf Society of Great Britain.

During their search, the pair of editors also put out a call to members and beyond for any letters from Woolf  that did not make it into the six-volume collection of her letters published by Hogarth Press/Harcourt Brace Jovanovich between 1975-80.

Clarke is a co-founder of the Virginia Woolf Society of Great Britain and was editor of the Virginia Woolf Bulletin from 1999 to 2022. As well as contributing almost 300 items to the Bulletin, he edited Volume five and Volume six of The Essays of Virginia Woolf (2009 and 2011) and transcribed Orlando: The Original Holograph Draft (1993). Barkway is a co-founder of the Virginia Woolf Society of Great Britain and was its Chair from 1998 to 2018.

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The Virginia Woolf Society of Great Britain, in association with the directors of the Clifford’s Inn Management Company Limited, has commissioned and installed a blue plaque on London’s Clifford’s Inn where Virginia and Leonard lived from 1912-13 following their honeymoon.

The Woolfs lived in flat 13, with Virginia writing most of her first novel, The Voyage Out (1915) while living there. The block of flats was rebuilt in the 1930s, but the entrance on Clifford’s Inn Passage, where the plaque is placed, is where the Woolf’s would have entered the building.

The Passage, one of the oldest alleys in London, is the route which the Woolfs would have used to go to the Cock Tavern on Fleet Street.

Other tenants in the building during the Woolfs’ residency were individuals working in law, as well as photographers, tailors, architects, and artists including both painting and sculpture. The building was also used for commercial purposes. It was home to organizations including the Society of Women Writers and Journalists, the London Typographical Society, the London Positivist Society and the Art Workers’ Guild.

When ongoing construction work in the neighborhood is finished and the Clifford’s Inn Passage undergoes renovation and tree planting, the VWSGB will hold an unveiling ceremony for the plaque.

 

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The irreplaceable Stuart N. Clarke, who co-founded the Virginia Woolf Society of Great Britain in 1998 and served as editor of the Virginia Woolf Bulletin for 23 years, died peacefully on Feb. 10, 2025.

Stuart was known for his encyclopedic  knowledge of Virginia Woolf, often stepping up to answer esoteric questions posed to the VW Listserv.

“His vigorous recall of facts and quotations not only astounded those around him but became a reliable resource for the Society and its members,” according to the email from the society’s executive committee that announced his passing. “The Society would not have been what it has grown to become without the seemingly endless, encyclopaedic knowledge that Stuart had of Virginia Woolf’s life and work.”

The Centre for Modernist Cultures at the University of Birmingham made him an Honorary Fellow in 2022 “in recognition of his exceptional contribution to the study of Virginia Woolf.”

His work as a distinguished textual editor includes Volumes 5 and 6 of The Essays of Virginia Woolf (Hogarth Press, 2009 and 2011), A Room of One’s Own with David Bradshaw (Shakespeare Head Press, 2015), and Jacob’s Room for The Cambridge Edition of the Works of Virginia Woolf (Cambridge University Press, 2020). Among his earlier publications are Orlando: The Original Holograph Draft (1993), and Translations from the Russian (2006), a volume devoted to the collaborative translations undertaken by Virginia Woolf and S.S. Koteliansky.

To honor Stuart’s dedication, the VWSGB will produce a supplement with the next issue of the Bulletin, containing pieces written by his fellow Woolfians in appreciation of his huge contribution to Woolf studies over the years.

Tributes should reach the society at bulletinvwsgb@gmail.com by March 1. You can also post your memories about Stuart in the Comments section below.

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