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Archive for the ‘Hogarth Press’ Category

The Dreadnought Hoax, Rare Book, Manuscript, and Special Collections Library, Duke University.

A bit of a back and forth about the Dreadnought Hoax took place on the VWoolf Listserv today. So now that the dust has cleared, here are the facts, as established by our Woolf experts:

  • The hoax occurred Monday, Feb. 7, 1910.  Peter Stansky verified the date by checking the original telegram related to the affair. It is housed in the National Archives at Kew, which was formerly known as the Public Records Office. You can access the Archives’ Dreadnought folder here. Stanksy included a full account of the hoax in his book, On or About December 1910: Early Bloomsbury and its Intimate World, published by Harvard University Press in 1996.
  • Quentin Bell gives Feb. 10 as the date of the hoax in his biography of Woolf. In her biography, Hermione Lee gives Feb. 7 as the date, although she does not cite her source. In her 1997 biography Duncan Grant, Frances Spalding doesn’t give a source for her date either, but she does use the correct date of Feb. 7.
  • The Daily Mirror reported on Feb. 16, 1910, that “All England is laughing at the practical joke played a few days ago…”, beneath a photograph of the participants in the hoax.
  • The Dreadnought talk that Woolf gave to the Rodmell branch of the Women’s Institute is published in The Platform of Time, edited by S. P Rosenbaum. Georgia Johnston discovered the manuscript of the talk, and her account was published in the Woolf Studies Annual, Vol XV in 2009.
  • Adrian Stephen wrote The Dreadnought Hoax, published by the Hogarth Press in 1936.

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Blithe Spirit and I have something in common. I share her self-described “abiding (nay, obsessive) interest in Virginia Woolf.”

Blithe is the creator of the blog Julia Hedge’s Laces, and this week she e-mailed Blogging Woolf to share her post about a recent visit to the Bruce Peel Special Collections Library at the University of Alberta.

While there, Blithe was awed by their exhibit of Hogarth Press books. She praises the exhibit itself, which is titled “Woolf’s Head Publishing: The Highlights and New Lights of the Hogarth Press” and is available until May 28. But she also praises the exhibit’s catalogue and recommends contacting the exhibit site to enquire about purchasing one.

You can read her interesting and detailed post, “An Exhibit of Woolf’s Own,” here.

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Everywhere I go, I hear it — that hacking cough that people just cannot seem to get rid of this fall.

So how fitting that this week, the Financial Times published a review of Virginia Woolf’s 1930 volume On Being Ill.

As the story goes, Woolf fainted at a party in 1925. During the aftermath, which involved several months of recuperation, she wrote a thoughtful rumination on how illness changes one’s experience of the world.

Those thoughts were published by the Hogarth Press in a slim volume with cover art designed by her sister, Vanessa Bell. It was titled On Being Ill.

The Financial Times review mentions a new edition of the volume, published by Paris Press and with an introduction by Hermione Lee. It is a facsimile of the original, cover art and all.

Five years ago, in 2003, Lee presented the keynote address at the 13th Annual International Virginia Woolf Conference on the essay. The theme that year was “Woolf in the Real World.” Nothing is more real than illness.

The Paris Press edition is not that new. My volume, which I picked up several years ago at my local Borders, has a copyright date of 2002.

Perhaps you can pick up a copy for an ill friend. It just might change his or her experience of the world.

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Helen Southworth, assistant professor of literature of the Clark Honors College at the University of Oregon,  announces that she is trying to put together a panel or two on the topic of the Hogarth Press for the 18th Annual International Conference on Virginia Woolf scheduled for June 19-22, 2008, in Denver, Colorado.

Her efforts are designed  to tie in with the edited volume for which she issued a call for papers in August. Click here for details of Southworth’s call for papers.

Southworth says she is looking for papers that deal with the following:

  • stories of authors, artists, and workers published by and/or associated with the Woolfs’ press
  • papers that expand on Willis’ history of the Hogarth Press.

Anyone interested in submitting a paper to the edited volume or becoming involved in a conference panel, should contact Southworth as soon as possible.

Contact information:
Helen Southworth
Clark Honors College
University of Oregon
Eugene, Oregon 97403

The deadline for Denver panel proposals is now Jan. 11. 

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Helen Southworth, assistant professor of literature of the Clark Honors College at the University of Oregon, has issued a call for papers for a collection of essays on the Hogarth Press that she is compiling.

The collection is tentatively titled Forthcoming from the Hogarth Press: How Leonard and Virginia Woolf Shaped Twentieth Century Publishing.

Southworth says the edited volume will appear in advance of the centenary of the founding of the Press in 2017.  The editor is looking for essays that highlight the innovative quality of the Hogarth Press.

Southworth says the edited volume will appear in advance of the centenary of the founding of the Press in 2017.  The editor is looking for essays that highlight the innovative quality of the Hogarth Press with a look at the following:

  • stories of some of the lesser known artists and their cover art,
  • stories of some of the press workers,
  • stories of some of the lesser known authors, and
  • essays on overlooked titles by well known authors who published with the Hogarth Press.

Southworth says the goal of the collection is to move beyond and complement J.H.Willis’s 1992 history, Leonard and Virginia Woolf as Publishers : The Hogarth Press, 1917-41, the only book-length study to date.

She expects the collection to assess the impact the Hogarth Press had on the careers of those connected with it who are usually overlooked. It will also deal with the broader issue of how the Hogarth Press shaped book production over the course of the 20th century.

Essays focused on individual authors or groups of authors/artists/texts, etc. are encouraged.  Of particular interest is work that highlights archival sources, work which makes use of the now established Hogarth Press archives at Reading University and at Washington State University, for example, as well as author/artist/publisher specific collections. 

Also welcome are essays which engage with recent critical work on literary/artistic modernism and publishing and the marketplace, bibliographical environment, networks, celebrity, censorship, and archive studies.

The call for papers asks that themes address (but are not limited to):

  • risks that the Woolfs took in terms of possibilities of censorship
  • innovations in cover art and other aspects of printing and book marketing
  • the Woolfs’ relationships with English provincial writers and with writers from the colonies
  • the Woolfs’ engagement with new ideas in the sciences, popular culture, peace studies, fashion, cinema, etc.
  • the Woolfs’ collaboration with press workers and with patrons
  • the translations the Woolfs themselves engaged in and those they published at the press
  • the Hogarth Press in the archives
  • the portrayal of the Hogarth Press in contemporary fiction
  • the Hogarth Press’ role in a specific author’s, artist’s, press worker’s careers
  • the relationship of the Hogarth Press to other presses of the period

Completed essays of 20-25 pages, double spaced, (MLA style preferred), along with queries and suggestions, should be sent to Helen Southworth, Clark Honors College, University of Oregon, Eugene, OR 97403-1293.

Deadline for paper submissions is Feb. 15, 2008.

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