A print from Suzanne Bellamy’s “Virginia Woolf Series”
Tributes to Suzanne Bellamy, artist, writer, scholar, Australian feminist pioneer, and quintessential free spirit, are flooding social media and email inboxes since she passed away early on June 20 in her native Australia.
Conferences and art
I didn’t know Suzanne well, though many Virginia Woolf scholars did. I met her in 2007 at
the 17th Annual International Conference on Virginia Woolf at Miami University of Ohio. I was a newbie to Woolf studies, and it was my first conference.
Suzanne had a table of her artwork at that event, as she often did, and that year she was right across the aisle from Cecil Woolf, whom I had just met for the first time. I must have said something that indicated I was a Woolf novice, because in her own inimitable fashion, Suzanne made sure that I knew exactly to whom I was speaking — THE Cecil Woolf!
Suzanne had a generous spirit. In 2011, she wrote a post for this blog that explained her painting “Woolf and the Chaucer Horse,” which she created for the 21st Annual International Conference on Virginia Woolf. Over the years, she gave me many prints of her art that featured Woolf. One of them, that I framed and hung in my home, is pictured above. I plan to frame more.
Scholar, artist, feminist, and more
Suzanne was a published scholar of both Woolf and Gertrude Stein. But she was much more than that. She was an essayist. She worked in visual music and abstraction and lesbian modernism. Her work also included word jazz and ecology and water, according to her website.
Her first large solo U.S. show was at the Northampton Center for the Arts in Massachusetts in May/June 2003, and she was artist in residence at Smith College during the 2003 International Virginia Woolf Conference.
In London at the 2004 conference, she was a featured presenter with a jazz visual text improvisation called “Am I Blue?.” This was her scat word and visual painting interpretation of three Woolf experimental short fictions about war with large canvas paintings as set.
In 1969, Suzanne was also part of the first group of Women’s Liberation in Sydney. She taught Women’s Studies and Politics at Macquarie University from 1974 to 1980, a period she called “the great feminist years.” She was National Convenor of the First Women and Labour Conference in 1978 and she worked on all three Australian Women’s Commissions.
Below is just one of the many tributes to Suzanne that has been shared. This one was sent by Benjamin Hagen, president of the International Virginia Woolf Society. It is based on information shared by Suzanne’s dear friend, collaborator, and fellow Woolf scholar Elisa Kay Sparks.
Tribute from Ben Hagen, president of IVWS
I write now, however, with the sad news that Suzanne Bellamy, a friend and spiritual traveling companion to so many in the international Woolf community, passed away peacefully a little after midnight, this past Monday morning, Australian time.
Suzanne was particularly delighted that she had been able to participate in a panel at this year’s Woolf conference with Elisa Kay Sparks, Davi Pinho, and Maria Oliveira. Those of us who attended that virtual panel were struck by the power of the work she shared with us that day.
Though very ill, she was able to stay at home until last Wednesday. She was “completely present,” a friend reports, until Saturday, discussing lists of people to notify and what to do about artwork, etc. before she slipped into a quiet coma from which she did not wake up.
Suzanne was born 22 September 1948. Her friends in Australia are making sure that her property is secured and her artwork taken care of, fulfilling the requests in her will. They will gather together for a major celebration of Suzanne’s life in September, around her birthday and the solstice. As some of you know, much of Suzanne’s work—journals, artworks, and films about the Australian women’s movement—have already been sorted and placed in the Australian National Archives.
On behalf of the IVWS, I send condolences to all members who knew Suzanne, treasured her friendship and guidance, and benefited from the light she brought with her wherever she traveled. To those who did not know Suzanne, I hope you will have a chance in the coming weeks and months and years to learn about her artwork, her Woolf scholarship, her political activism, her goodness, her power, and her love.
Tribute from Claire Nicholson, chair, Virginia Woolf Society of Great Britain
On behalf of all members of the Virginia Woolf Society of Great Britain, I’d like to extend our deep condolences to the family, friends and colleagues of Suzanne Bellamy. An inspiring artist and scholar, Suzanne was an unforgettable presence at International Virginia Woolf Conferences. Her artistic vision, wide-ranging knowledge and warm sense of humour livened up many conference proceedings and she was held in real affection by Woolfians from all over the world. She will be much missed indeed, but leaves a wonderful legacy of her work which will be enjoyed for many years to come. Rest in peace, Suzanne.
“Woolf and the Chaucer Horse” by Suzanne Bellamy
Honoring the passing of salon denizen, scholar, adventurer, artist, activist, trail blazing feminist, and friend #SuzanneBellamy. What a glorious star. Travel lightly, make beautiful trouble. Grateful for your incredible life. Thank you. Thank you. pic.twitter.com/L0Ctf4G4pM
— woolfsalonproject (@woolfsalonproj1) June 21, 2022
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