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As a woman, I have no country. As a woman I want no country. As a woman my country is the whole world. – Virginia Woolf, Three Guineas (1938)

I once wrote that famous Virginia Woolf quote on the wall of my office because it resonated with me. However, it has never resonated with me as strongly as it does today, the day after a U.S. presidential election that will allow a fascist to lead our country for the next four years.

Along with many others in the United States who value freedom, justice, truth, peace, kindness, and love — I find it devastating to face the reality of four years with a president who values none of those things.

But like Woolf — and like countless other women throughout this country and the world — I will not give up the fight. I will never surrender.

Instead, I will continue to fight for all the things I value. I will look to the words and actions of Woolf and others to guide my thinking and my life as we move forward to keep light alive in this dark, dark time. I will do my best to create a close community like the Bloomsbury group that I and my friends can count on for support.

If you have additional advice for me — and others — please do share it in the comments section below.

Virginia Woolf’s advice for defeating fascist thinking

Back in 2017, after Democrat Hilary Clinton lost the 2016 presidential election to the most horrible of Republican candidates, I — like many people around the globe — was deeply concerned about the future of our country and our world. So I turned to Woolf for wisdom.

I wrote an essay that I delivered at the 27th Annual International Conference on Virginia Woolf. It was titled “Thinking is Our Fighting: How to Read and Write Like Woolf in the Age of Trump, and it was published in Virginia Woolf and the World of Books (2018).

I never thought that essay would have a long shelf life. But as things have turned out, it still applies today — perhaps more than ever — as we grieve the defeat of yet another woman, Democrat Kamala Harris, who brought such brilliance and joy to the campaign trail.

Now, thanks to a Facebook reminder from Woolf friend, Emily MacQuarrie Hinnov, I will add a quote she shared from Woolf’s 1940 essay, “Thoughts on Peace in an Air Raid,” as we move towards a frightening four years with a man who admires dictators holding the highest office in our land.

Who is Hitler? What is he? Aggressiveness, tyranny, the insane love of power made manifest, they reply. Destroy that, and you will be free…Let us try to drag up into consciousness the subconscious Hitlerism that holds us down. It is the desire for aggression; the desire to dominate and enslave. Even in the darkness we can see that made visible. We can see shop windows blazing; and women gazing; painted women; dressed-up women; women with crimson lips and crimson fingernails. They are slaves who are trying to enslave. If we could free ourselves from slavery we should free men from tyranny. Hitlers are bred by slaves…We must create more honourable activities for those who try to conquer in themselves their fighting instinct, their subconsicous Hitlerism…Therefore if we are to compensate the young man for the loss of his glory and of his gun, we must give him access to the creative feelings. We must make happiness. We must free him from the machine. We must bring him out of his prison into the open air. But what is the use of freeing the young Englishman if the young German and the young Italian remain slaves?

 

Post-It notes written by visitors and added to a display at the “People Power Fighting for Peace” exhibit at the Imperial War Museum in London in July 2017.

Today I share a Facebook post from the Virginia Woolf Society of Great Britain:

“On this day in 1922 Virginia Woolf’s third novel, Jacob’s Room, was first published by the Hogarth Press. Approximately 1,200 copies were printed, priced at 7s 6d.

It was the first of Woolf’s novels to be published by her own company; from then on, all her works were published under its imprint. The printer was R. & R. Clark of Edinburgh.

Woolf’s Diary entry of Monday 26 January 1920 – the day after her 38th birthday – reveals her first thoughts about ‘a new form for a new novel’:

Suppose one thing should open out of another – as in An Unwritten Novel – only not for 10 pages but 200 or so – doesn’t that give the looseness & lightness I want: doesnt that get closer & yet keep form & speed, & enclose everything, everything? . . . I figure that the approach will be entirely different this time: no scaffolding; scarcely a brick to be seen; all crepuscular, but the heart, the passion, humour, everything as bright as fire in the mist. . . . conceive mark on the wall, K. G. & unwritten novel taking hands & dancing in unity. – Virginia Woolf, Diary 2, pp. 13–14. B. J. Kirkpatrick and Stuart N. Clarke, A Bibliography of Virginia Woolf, 4th edition, 1997, pp. 27–8.

Hatchard’s will celebrate the publication of Maggie Humm’s new book, The Bloomsbury Photographs (2024) with a special “lantern show” at 18:30 BST on Tuesday, Oct. 22, at its shop on Piccadilly.

About the event

At the event, Maggie Humm will offer a fresh portrait of the Bloomsbury Group by showing a curated selection of the thousands of photographs that shows them in a setting of domestic intimacy. Scenes include the pastimes, children, clothes, houses, servants, pets, and holidays of the group.

According to Hatchard’s: “Several photographs are blurred as if taken in a hurried moment of time, and unguarded close-ups reflect complex personal relationships – revealing them to be more than simply documents; they are testimonies of relationships, friendships, and the significance of empathetic lives.”

About tickets and the author

Tickets are priced at £5 for members of the Virginia Woolf Society of Great Britain and Hatchard’s Reward Card holders. General admission is £10. Tickets are available online, but sales end soon.

Humm is vice-chair of the Virginia Woolf Society of Great Britain and author of many monographs about Virginia Woolf and Bloomsbury, including her novel Talland House, which is based on Woolf’s To the Lighthouse.

Hatchard’s on Piccadilly

A workshop presentation of the play Dalloway: Summer at Bourton, inspired by Virginia Woolf’s 1925 novel Mrs. Dalloway, will be staged at 3 p.m. on Oct. 20 in the 6BC Botanical Garden, 624 E. 6th St. on Manhattan’s Lower East Side.

The play imagines the fateful weekend that the characters experience 35 years before the main events of the novel. It explores the time when Clarissa meets Richard, refuses Peter’s proposal, and shares a kiss with Sally Seton. The garden was chosen as the site for the staging since much of the action at Bourton happens outside in the gardens.

Lindsay Joelle wrote the play and Olivia Facini directs it. Admission is free. The play runs from 3 – 4:30 p.m. and doors open at 2:30 p.m. RSVP and get more details at Eventbrite.

In the case of inclement weather, the presentation will move to New Georges’ The Room (520 8th Ave, third floor).

Virginia Woolf’s Freshwater: A Comedy made its first appearance in Turkish in Turkey on Sept. 6, 100 years after it was written.

A scene in the staged reading of Woolf’s Freshwater in Turkish on Sept. 6. Photo by Tuğba Çanakçı & Alperen Yedekçi.

The panel discussion of the play and the staged reading were part of the 2nd International UTAD Conference, with its theme of “Existence, Tradition and Future.” It was held at Bahçeşehir University’s Pera Sahne.

A panel discussion led by Prof. Dr. Özyurt Kılıç and joined by Associate Professor Dr. Z. Gizem Yılmaz, introduced the audience to Woolf’s exploration of the boundaries between life and art, and how Freshwater fits into her broader body of work. Following the discussion, the play was performed as a staged reading.

Professor Kılıç describes the play as an example of “audience-specific drama,” providing a unique and thought-provoking experience for attendees. It is also said to give theatre scholars an opportunity to explore the multi-layered meaning of the play.

Background of the play

Freshwater concerns Woolf’s great-aunt, photographer Julie Margaret Cameron. and her coterie of artists that included Alfred Lord Tennyson and George Frederick Watts.

Woolf wrote Freshwater, which is set in a Victorian garden on a summer evening, in 1923 and revised it in 1935. In it, she creates “a deliberately witty and wacky universe peopled with a tribe of artists, friends, and lovers in a playful mood,” according to the Women’s Project. In its time, the play was praised for its humor and its challenge to traditional theatre norms.

It was staged for the first time in the U.S. in early 2009.

Get the Turkish translation online

Ercan Gürova’s translation, presented with a foreword by Özyurt Kılıç, was published by Mitos Boyut Yayınları and can be accessed online.