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Posts Tagged ‘Brenda Silver’

In the 18 years that Blogging Woolf has been in existence, few things Woolfian have excited me more than writing a chapter about this blog for The Edinburgh Companion to Virginia Woolf and Transnational Perspectives.

It was three years ago that Elisa Bolchi emailed me to ask if I would contribute a chapter to the project originally dubbed “Worldwide Woolf.” I was surprised. I was honored. I was ecstatic. And of course I quickly emailed a “Yes.”

Now this follow-up to The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (2021), edited by Jeanne Dubino, Paulina Pajak and Catherine W. Hollis, is out. So I am here to tell you more about this volume and its wonderful editing by Bolchi, Maria Rita Drumond Viana, Alice Davis Keane, Monica Latham, Sayaka Okumura, and Mine Özyurt Kılıç.

About the book

Besides a general introduction, Virginia Woolf and Transnational Perspectives kicks off with a special foreward — the republishing of Brenda Silver’s essay “World Wide Woolf,” in print for the first time.

The volume’s 31 chapters are divided into three sections that analyze the cultural mediation that has shaped how readers and viewers worldwide encounter Woolf’s images and works today.

The three sections: 

  1. Producing Woolf: Editing, Translating, Publishing
  2. Thinking through Woolf: Legacy and Contemporary Influence
  3. New Woolf, New Critical Perspectives

Research areas covered: rewriting, translation, dance, photography, fashion, contemporary art, digital humanities and drama

Areas represented by its writers: five continents including Africa, Asia, Europe, North and South America and 14 regions, including the U.S., Brazil, France, Italy, Turkey, Germany, the UK, Spain, Lithuania, Egypt, Israel, Japan, China and the Philippines.

More details

Pages: 488
Illustrations: 33 black and white

How to buy it

It is available at Edinburgh University Press. At $195 for a hardback or digital copy, the volume is pricey — as are most academic publications — so urge your institution’s library to purchase a copy. However, EUP offers a launch discount of 30 percent with the code NEW30 at checkout. I cannot guarantee the code is still viable, but it is worth a try.

About my chapter

My chapter, “Woolf on the World Wide Web: Creating a Community of Common and Scholarly Readers through Blogging Woolf,” is Chapter 31, the last in the volume. In it, I build on Silver’s insights as I explore the history of the blog, including its editorial content and its readership.

I also discuss its ability to foster collaboration among Woolf scholars and readers, as well as online and personal relationships.

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Knowing I am always on the lookout for bits about Virginia Woolf, a friend sent me links to two articles. Today, I am sharing them with you, along with an online resource about Woolf’s reading.

Two articles about Woolf

  1. Title: “A Selection of Virginia Woolf’s Most Savage Insults”
    Author: Emily Temple
    Source: Pocket, although the post was originally published on Literary Hub on Oct. 12, 2017.
    Synopsis: The article covers moments that remind us how certain people really should have been afraid of Virginia Woolf, because she was full of epic—and sometimes kind of horrible and classist—insults.
    Read it here.
  2. Title: “Virginia Woolf on Why We Read and What Great Works of Art Have in Common”
    Author: Maria Popova
    Source: Pocket, although the piece was originally published on Jan. 23, 2020 on The Marginalian.
    Synopsis: This piece discusses the thoughts of Woolf’ and other authors on the value of reading over time.
    Read it here.

More on Woolf’s reading

Last summer, a new digital resource was made available for readers and scholars interested in Woolf. WoolfNotes.com, a project that digitizes her reading and research notes, is now live on the King’s College, London, website.

This major digital humanities project brings into the public domain Woolf’s last remaining substantial unpublished work.

Get the details.

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Woolf sightings are frequent, both online and in person, testifying to the fact that Virginia Woolf has long been an icon.

Here’s one put together by Lois Gilmore, professor of language and literature at Bucks County Community College in Newton, Pa.

She set up the display of Woolf items in the campus library in conjunction with an honors composition class focused on Woolf that she is teaching this fall.

It includes books by and about Woolf, a doll, note cards, jewelry, the T-shirt from the 2009 Annual International Conference on Virginia Woolf: Woolf and the City, and the program from the 28th Annual International Conference on Virginia Woolf: Woolf, Europe and Peace.

Fittingly enough, Lois included Virginia Woolf Icon (1999) by Brenda R. Silver among the books she selected.

Do you have a Woolf sighting or display to share? If so, please add a link in the comments section below.

The Virginia Woolf display at the Bucks County Community College library.

A Virginia Woolf-shaped note card, along with the famous Woolf in Raybans T-shirt, are included in the display.

A copy of Kew Gardens with cover design by Vanessa Bell, along with a quote from A Room of One’s Own and a necklace featuring a Bell portrait of Woolf knitting are part of the display.

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An invaluable resource I have often consulted but have always had to borrow from the library is now available online for free.

Brenda Silver’s Virginia Woolf’s Reading Notebooks (1983), published by Princeton University Press, is now available in multiple digital formats, including PDF, Kindle and EPub, with permission from Silver.

Silver’s book describes, dates, and identifies the sources of Woolf’s 67 reading notebooks, which she kept to take notes as she read in preparation for writing reviews, essays, and other works.

The notebooks included in the volume are housed in the Henry W. and Albert A. Berg Collection at the New York Public Library; University of Sussex Special Collections; The Keep, Brighton; and the Bienecke Library at Yale University.

Download it from the Dartmouth Library website. You can also read it online.

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For the second time in recent months, I have found an online connection between Virginia Woolf and the modern day fashion world.

These connections always surprise me because of Woolf’s lack of confidence about her appearance and her sense of style. She often agonized about what to wear, then later regretted her choices.

This, even though she was advised about fashion by friends and fashion writers Dorothy Todd and Madge Garland, according to Anne Pender in her 2007 article “‘Modernist Madonnas’:  Dorothy Todd, Madge Garland and Virginia Woolf.”

Nevertheless, British designer Christopher Bailey said he wanted his new fall collection for Burberry Prorsum to be “very poetic and inspiring,” a celebration of “great British icons” such as Vanessa Bell and Virginia Woolf. Fittingly enough, the collection includes practical Burberry trench coats that one might imagine Virginia wearing on one of her long treks around London. (For more about Woolf and walking, read Anne’s post.)

Late last year, a Telegraph article about French fashion designer Nicole Farhi speculated that Woolf would wear her designs. You can be the judge by clicking here.

These are not the first times Woolf has inspired the fashion world. Back in 1994, Australian designer Richard Tyler said the Bloomsbury group, including Woolf, was the inspiration for his fall collection. Tyler explained that Woolf’s set helped to inspire his Norfolk jackets, fancy vests, hand-beaded borders and muted tweeds that year. 

Tyler was a bit ahead of the 1996 revival of 1920s fashion that Brenda Silver discusses in Virginia Woolf Icon. In that book, Silver dissects the meaning behind Woolf’s connection to the changing  world of fashion. According to Silver, when the fashion industry connects its products to Woolf, it promises more than intelligent, sophisticated designs. It promises strength, independence, and fearlessness as well.

That’s a tall order for any garment.

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