Posted in art, Bloomsbury, Duncan Grant, tagged Berwick Church, Charleston Attic, Duncan Grant on Tuesday 1 November 2016| Leave a Comment »
Prompted by a collection of drawings and sketches found inside a thin blue cardboard folder labelled ‘Berwick Church’ (CHA/P/603), this week’s blog article examines some of Duncan Grant’s pre…
Source: Berwick Church murals – preliminary sketches by Duncan Grant
Posted in Bloomsbury, Charleston Farmhouse, fashion, Woolf online, tagged Charleston Attic, Charleston Farmhouse, Kew Gardens, The Shirley Sherwood Gallery of Botanical Art, Zoe Wolstenholme on Tuesday 10 May 2016| 3 Comments »
Zoe Wolstenholme
Blogging Woolf’s first regular blogger from the other side of the pond is now on board. Just out of her Charleston internship, Zoe Wolstenholme will contribute posts that add an emphasis on the visual arts of the Bloomsbury group — and will link them to the natural world, with an emphasis on gardens.
From North Yorkshire in England, Zoe studied English Literature at the University of Exeter, writing her dissertation on The Room of One’s Own: Interiority in Virginia Woolf’s short fiction and Post-Impressionist Art. Here she examined the relationship between Woolf’s writing and the painting styles of French and British Post-Impressionist artists exploring the room as a metaphor for the mind. Zoe went on to study for an MA in Art Museum and Gallery Studies before being awarded a curatorial traineeship with The Charleston Trust in 2015.
Charleston House, dubbed “Bloomsbury in Sussex,” was the home of artists Vanessa Bell and Duncan Grant, found for them by Bell’s sister Virginia Woolf while she was walking across the South Downs from her own country house at the time, Asheham. Today The Charleston Trust cares for and preserves Charleston House and its collection of art works both collected and executed by Bell and Grant.
Charleston House
At Charleston, Zoe worked on The Angelica Garnett Gift, a donation of 8,000 works of art by Bell, Grant and other members of the Bloomsbury group. Here she photographed, catalogued and researched these unseen works publishing these findings on The Charleston Attic. As part of this traineeship Zoe also wrote an extended research paper on the Angelica Garnet Gift titled Dressing Modern Identity, which examined the overlooked importance of dress to Bell and Grant’s personal and artistic lives. This article will be published in the next edition of Clothing Cultures, which is available to read online.
“The Process of Abstraction” by Zoe Wolstenholme on The Charleston Attic
Zoe is now working at The Shirley Sherwood Gallery of Botanical Art at the Royal Botanic Gardens, Kew in London. Here she hopes to pursue her interest in art and the environment, which was the topic of her MA dissertation Art Spaces for Ecological Well-being. This piece examined how art has the potential to influence our relationship with the natural world. By working with the botanical art and other collections at Kew, Zoe hopes to be a part of inspiring people to care for the natural world.
Through writing for Blogging Woolf Zoe also hopes to continue her research into Woolf’s work and her circle, the Bloomsbury group.
Look for Zoe’s first post — “What Woolf wore”– tomorrow.
The Shirley Sherwood Gallery of Botanical Art © Walters & Cohen
Posted in Bloomsbury, Charleston Farmhouse, Duncan Grant, Vanessa Bell, tagged Bloomsbury, Charleston, Charleston Attic, Duncan Grant, Vanessa Bell on Friday 26 February 2016| Leave a Comment »
If you don’t already, follow The Charleston Attic blog, a record of the work of graduate student interns as they catalogue, research and interpret the Angelica Garnett Gift 
Collection from the home’s attic.
Charleston, home of twentieth century artists, Vanessa Bell and Duncan Grant, and their daughter Angelica Garnett, was the Sussex retreat of the Bloomsbury Group. The internships are funded by the Heritage Lottery.
Here are links to this month’s posts:
Lyric Charm and Quiet Wit – Duncan Grant’s Tangier landscapes
The Process of Abstraction – Vanessa Bell’s and Duncan Grant’s experiments in abstract art using “the tangible ephemera of everyday life.”
“The Maternal Paradox: The Private Portraiture of Vanessa Bell” –
“New honours come upon him, like our strange garments” – Duncan Grant’s Modernist designs for Harley Granville-Barker’s production of Macbeth, planned for 1912.
Posted in art, Bloomsbury, Vanessa Bell, Virginia Woolf, tagged Bloomsbury, Charleston Attic, Vanessa Bell on Thursday 11 February 2016| Leave a Comment »
News and analysis of a recently discovered Vanessa Bell nude. Read more at this post, “Vanessa Bell’s Bathers, on The Charleston Attic blog.
Posted in Bloomsbury, Charleston Farmhouse, tagged Bloomsbury Group, Charleston Attic, Duncan Grant on Friday 21 August 2015| Leave a Comment »
Rummage through the attic at Charleston with The Charleston Attic blog, a record of the work of graduate student interns as they catalogue, research and interpret the Angelica Garnett Gift Collection from the home’s attic.
Recent posts of interest include:
 | Alice Lowe on Woolf and wine on Valentine’s… |
 | Paula Maggio on Virginia Woolf wrote of spring… |
| Alice Lowe on Virginia Woolf wrote of spring… |
| New work by Woolf pl… on The voices of Septimus and Cla… |
Catherine
Kaylee Baucom
Stefano Rozzoni
seanmcphail
suzannebellamy1
veronikakra
Vara Neverow
William Patrick Wend
Zoe Wolstenholme
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