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Five radical women writers living in a square in a London neighborhood. The square is Mecklenburgh. The neighborhood is Bloomsbury. And one of the women writers is Virginia Woolf.

The book that tells the story of the five independent women writers who lived in Mecklenburgh Square at various times between the two world wars is Francesca Wade’s Square Haunting: Five Women, Freedom and London Between the Wars, just published by Faber & Faber.

Besides Woolf, the women Wade discusses include detective novelist Dorothy Sayers, modernist poet Hilda Doolittle (known as HD), the maverick classicist Jane Ellen Harrison, and the economic historian Eileen Power.

The publisher’s website describes the book this way:

Francesca Wade’s spellbinding group biography explores how these trailblazing women pushed the boundaries of literature, scholarship, and social norms, forging careers that would have been impossible without these rooms of their own.

And one reviewer called Woolf “The presiding genius of this original and erudite book,” describing her “essay ‘A Room of One’s Own’ [as] provided the rallying cry, whether consciously or not, for five remarkable women, all drawn at some point in their careers to Bloomsbury’s Mecklenburgh Square.”

Glowing reviews

I plan to obtain a copy of Square Haunting and review it here. After all, Mecklenburgh Square has a special meaning for me, as it is one of the Woolf sites I visited in 2016 when Cecil Woolf, Virginia and Leonard’s nephew who passed away last June, led me on a six-mile walking tour of Bloomsbury. It was a most memorable day.

For now, though, here are a few quotes from the glowing reviews of Wade’s first book that have already been published online.

Wade’s book rises above the publishing cliches to tell a deeper story about women’s autonomy in the early 20th century, about their work and education, politics and activism. What emerges is an eloquent, pellucid, sometimes poignant study of five female intellectuals, each of whom disdained convention to fulfil their potential as thinkers and writers. – Review by Johanna Thomas-Corr, The Guardian

It is a pleasure to fall into step with the eloquent, elegant Wade as she stamps the streets of literary London. I would give a copy to every young woman graduating from university and wondering who and how to be … There is much to inspire. – The Times Literary Supplement

Wade is adept at evoking the gritty texture of the times, taking us seamlessly from the interior lives of her subjects into the world they inhabited and back again. – Ariane Bankes, Spectator

The site of the building in Mecklenburgh Square in which Virginia Woolf lived. Cecil and I paused here during our 2016 tour of Bloomsbury.

 

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A piece by Leonard Woolf from the October 1955 issue (Vol. 2, No. 10) of The London Magazine is now online.

Titled “Coming to London — II,” it was reprinted in A Bloomsbury Group Reader edited by S.P. Rosenbaum and published by Blackwell Publishers in 1993.

In addition, much of it is incorporated in Leonard’s biography, according to the Virginia Woolf Society of Great Britain.

In the “London Magazine”, it was part of a regular series that was published in book form by Phoenix House, London, 1957, and then by Books for Libraries Press, Freeport, NY, 1971. The other contributors were: William Plomer, V. S. Pritchett, George Barker, J. B. Priestley, Elizabeth Bowen, Geoffrey Grigson, John Middleton Murry, Christopher Isherwood, Alan Pryce-Jones, William Sansom, Jocelyn Brooke, Rose Macaulay, Edith Sitwell.

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I’d heard the rumor — that a Virginia Woolf “collage” could be spotted in the ladies room of London’s Tavistock Hotel. But I did not expect what I actually found.

Tavistock Hotel in Bloomsbury, London

I went in search of the hotel’s unusual homage to Woolf after the 28th Annual International Conference on Virginia Woolf in June at the University of Kent in Canterbury, England.

The clerk at the Tavistock’s front desk directed me to the lobby level ladies room, where I expected to see a lone framed Woolf collage on the wall near the door or the sinks.

Loo decor

I found something entirely different. The wall behind each toilet in each ladies room stall was decorated with a long framed graphic featuring Woolf and her works. Each was cut to feature a different element of her work.

Luckily, the ladies room was unoccupied when I entered, so I was able to take a photograph of each stall. However, some of my photos are a bit tipsy, due to the fact that I had to prop each stall door open with my foot while hurriedly snapping individual pictures.

I made sure to include the commode and toilet tissue roll in the photo when I could manage it, as evidence that this Woolf sighting actually took place in a loo. 

 

The hotel’s Woolf & Whistle serves light meals and beverages.

Traditional afternoon tea is also offered at the Tavistock Hotel’s Woolf & Whistle.

 

About the Tavistock

Blue plaque honoring Virginia and Leonard Woolf installed to the left of the front entrance of the Tavistock Hotel.

The hotel is famous because it is built on the site of Virginia and Leonard’s flat at 52 Tavistock Square, in which they lived from 1924-1939.

A blue plaque commemorating that fact was unveiled on the exterior of the building in April.

 

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When I’m in England, many things I see have a connection to Virginia Woolf.

Yesterday, Lois Gilmore and I took a double decker bus tour of the city, passing the sights that meant so much to Woolf and her novels.

Of Woolf and words

Many of the sites we saw — from Westminster to the Cenotaph to the Tower Bridge to the River Thames — reminded us of Woolf and brought quotes from her writing to mind.

By afternoon, we made a long-anticipated visit to the Churchill War Rooms, where Churchill and his wartime staff planned and carried out the British response to Hitler and World War II.

From war to peace

Afterwards, I realized that visiting the war rooms was a fitting finale to my London trip before heading to the University of Kent in Canterbury tomorrow for the 28th Annual International Conference on Virginia Woolf with its theme of “Virginia Woolf, Europe and Peace.”

Ironic and perfect all at once.

At the Churchill War Rooms

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First, there was the conference. Then came the party. In London. With the Woolfs.

On the Monday evening following days one, two, three, and four of the 27th Annual International Conference on Virginia Woolf, Cecil Woolf and Jean Moorcroft Wilson hosted a party in London for their visiting Woolfian friends who remained in town.

I was happy to be among them. But I was chagrined to arrive on their doorstep 20 minutes early due to lightning fast service by my Uber driver.

Cecil and Jean, however, didn’t blink when they answered my too-early knock. They ushered me in and escorted me up the stairs, past stacks of books from their Bloomsbury Heritage Series and a smattering of hats from Jean’s famous collection.

Cecil poured me a glass of wine and settled me in their persimmon-colored sitting room that is casually decorated with original Bloomsbury art by Vanessa Bell and Duncan Grant. It was magical.

Cecil and Jean are tremendous hosts who know how to make each guest feel specially welcome, no matter when they arrive. They created a wonderful evening full of camaraderie, good food, and drink, while introducing us to their daughter Emma Woolf, author of numerous books and a regular BBC contributor.

Afterward, when thinking about the evening, a quote came to mind that perfectly captures the mood and magic of the evening.

No need to hurry. No need to sparkle. No need to be anybody but oneself. – Virginia Woolf, A Room of One’s Own (1929)

Cecil Woolf and Jean Moorcroft Wilson hosted a post-conference party at their London home, which also houses Cecil Woolf Publishers.

This side table decorated by Duncan Grant held appetizers, as well as my little Virginia. #travelswithvirginiawoolf

Cecil Woolf and daughter Emma Woolf at the party.

Louise Higham, Suzanne Bellamy, John McCoy, and Eleanor McNees (far right) were among the party guests.

A firescreen painted by Duncan Grant.

Bloomsbury art above the fireplace, along with a piece by Suzanne Bellamy and a photo of Jean.

Judith Allen and her husband Steve.

More Bloomsbury art.

 

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