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Bernardine Evaristo

Imagine a different ending to Clarissa Dalloway’s party. That what Bernadine Evaristo did as part of Radio 3’s “The Essay,” which asked five leading writers to pick a novel they love and then write an original piece of fiction imagining what happened to the characters after the story ends.

Man Booker prize winner Evaristo picked Virginia Woolf’s 1925 novel Mrs. Dalloway for her “Open Endings” podcast submission. She then imagined a different ending for Clarissa’s party.

How to listen

Her 14-minute podcast, “Bernardine Evaristo on Mrs. Dalloway,” first aired on Christmas Eve 2019. But if you missed it, you can still listen to it any of the following three ways:

  • Tune in to Radio 3’s “The Essay” on Aug. 3 at 10:45 p.m. (BST).
  • Listen now on the Radio 3 website.
  • Download the podcast for listening any time.

About the author

Evaristo is not new to radio. Her verse novel The Emperor’s Babe was adapted into a BBC Radio 4 play in 2013 and her novella Hello Mum was adapted as a BBC Radio 4 play in 2012. In 2015 she wrote and presented a two-part BBC Radio 4 documentary called Fiery Inspiration: Amiri Baraka and the Black Arts Movement.

 

 

 

 

 

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The temperature was 34 degrees and a light dusting of snow covered the ground when my copy of London in Bloom by Georgianna Lane arrived in my Ohio mailbox several weeks ago.

With its cover photo depicting pale pink roses draping a doorway, arching over a window, and filling the basket of a matching pink bicycle parked out front, the book introduced a welcome breath of spring into my life that day. We need that even more now.

Turning from fear to beauty

The coronavirus has infected our globe, and many of us are sheltering at home, attempting to stave off the ugliness of anxiety. So there is no better time to open a book full of the floral beauty of London, Virginia Woolf’s favorite city.

London in Bloom is the third and final book in Lane’s Cities in Bloom series, published by Abrams. To capture the images that fill it, she spent many early morning hours photographing the floral beauty and architectural detail of England’s capitol before residents and tourists clogged the streets, sidewalks, and parks. I daresay she would find that task easier now.

On “Tea and Tattle”

I first heard of the book on episode 27 of Francesca Wade’s “Tea and Tattle” podcast. Wade describes it as “most beautiful guide to the city’s parks, gardens, florists and hotels and should be on any London-lover’s shelf!”

Much like Woolf, a lover of gardens who incorporated them into her life and into her work, the author shares her affection for London’s gardens in her Introduction to the book:

Perhaps not surprisingly, my most memorable London experiences have been inextricably interwoven with gardens… the open spaces of London have seeped into my consciousness, awakened my imagination, and become part of me” (7).

From parks and gardens to floral displays

London in Bloom is divided into four sections:

  • parks and gardens
  • floral boutiques
  • market flowers and
  • floral displays.

Each is introduced by a page or two of text that shares Lane’s thoughts and experiences, then filled with gorgeous photos of flowers and architectural details — brickwork, tile-work, doorways — that enhance them.

Whimsical touches are also introduced in the form of light cotton floral print dresses in a shop window, teacups and cake on a tea table, and London’s trademark red phone booth and double decker buses.

Beauty and practicality

Despite some touches of red, the theme throughout is pastel — from flowers to buildings to cover pages. But the book includes the practical, as well as the beautiful.

The back section gives us instructions on creating our own London-style bouquet, a field guide to London’s spring blooming trees and shrubs, and an introductory guide to springtime blooms throughout the city.

London in Bloom provides delectable refreshment for the eye and the soul in our troubled times, whether you are a lover of flowers, a fan of London, or just in need of a bit of balm.

 

 

 

 

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