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Archive for November, 2008

Let’s all thank our lucky stars for the enlightened souls at the BBC who saved eight minutes of Virginia Woolf’s recorded voice. It is the only recording of her voice that has survived from the three broadcasts she did for the BBC in the 1930s.

Now Woolf’s voice, along with those of other great writers of the 20th century, can be heard in its entirety for the first time on a three-disc set of CDs produced by the British Library called “The Spoken Word: British Writers.”

The set features the voices of 30 British writers and includes many previously unpublished recordings. Another set, “The Spoken Word: American Writers,” features 27 authors from the U.S.

When Woolf’s recordings were made, people simply didn’t keep radio broadcasts, according to Richard Fairman of the British Library. “They went out on the air and that was it; they were lost forever,” Fairman told NPR‘s Melissa Block.

“The recording of Woolf is nothing like the interviews common on the radio today,” he said.

Hearing the voices of famous authors on CD is “not quite as good as having them walk up to you, but it’s not bad,” he told the Telegraph.

You can listen to Woolf talk about “Craftsmanship” in the series “Words Fail Me,” which was broadcast on the BBC April 29, 1937, here.

On You Tube, you can watch a video featuring a record spinning on a turntable that gives us eight minutes of Vita Sackville-West reading from her prize-winning poem “The Land.” The recording was made by Columbia in 1931 for the International Education Society.

You can also search the British Library’s online archive of more than 1,500 sound recordings that it has made here.

Read more in brief about the British Library CD sets of famous authors in the London Review of Books, Time and the Telegraph.

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Woolf scholars are invited to submit a panel topic for next year’s MLA conference, which will be held in Philadelphia Dec. 27-30.

According to the International Virginia Woolf Society Newsletter, this is a call for whole panels, not individual paper proposals. Voting on proposals will be completed by Dec. 30 to meet MLA guidelines.

Please submit only one panel topic, along with the following information:

  • A 35-word description (The word count must include the title.)
  • The name(s) and contact information of the proposed organizer(s) — e-mail, snail mail, preferred telephone number, institutional affiliation, if any.
  • Deadline by which the organizer(s) wish to receive submissions (usually March 15).
  • The format for submissions (500-word abstract? full-length paper?).

Submit to Bonnie Kime Scott, president of the IVWS, electronically or by snail mail by Nov. 20. Electronic submissions are strongly preferred.

Submit by e-mail to:

bkscott@mail.sdsu
Electronic submissions are strongly preferred and should carry the subject line Woolf MLA 09.

Submit by snail mail to:

Bonnie Kime Scott
President, IVWS
Dept. of Women’s Studies
San Diego State University
San Diego, CA 92182-6030

For more information about the International Virginia Woolf Society’s involvement in MLA conferences and this year’s Woolf panel topics, click here or here.

To propose your own special session for next year’s MLA Conference, go to the MLA Web site for instructions. 

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Three papers on Virginia Woolf will be part of the University of Louisville Conference on Literature and Culture Since 1900, which will be held Feb. 19-21.

The papers will be presented at a panel hosted by the International Virginia Woolf Society. They will include:

  • Professor Beth Rigel Daugherty, Otterbein College, “Educating the Reader: Virginia Woolf’s Pedagogical Essays”
  • Professor Brian Richardson, University of Maryland, “The Physical Book and the Site of Reading in To the Lighthouse”
  • Professor Theresa Mae Thompson, Valdosta State University, “Woolf and Gandhi: the Raj in Jacob’s Room

Speakers at the conference include Ed Roberson, Susan Gubar, Percival Everett, Manuel Martínez-Maldonado and David James. For more details, including registration information, visit the conference Web site.

Get details about the conference’s Call for Papers.

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A century after the Bloomsburty group came together, English director Katie Mitchell’s adaptation of Virginia Woolf’s novel The Waves is on stage at The Duke on 42nd Street in New York City, Nov. 14 through Nov. 22.

There, in its U.S. premiere, the play is part of the celebration of the 10th anniversary of Lincoln Center’s New Visions series, which this year is subtitled “The Literary Muse,” and which we heralded on Blogging Woolf in February.

When Waves was produced at the National Theater in London, where Mitchell, 44, is associate director, it played to full houses and received superb reviews.

Read The New York Times preview of the staging of Woolf’s tale of six friends moving from childhood to adulthood to life’s final chapters. Get details about the Lincoln Center staging.

While you are in town for Waves, catch the Grolier Club exhibit on Woolf too. Meanwhile, take a moment to ponder a different interpretation of Woolf and water.

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In a month and year when our country is giddily celebrating the historic election of Barack Obama as president, our friends across the pond have a different event on their minds.

They are getting ready to commemorate the 90th anniversary of the signing of the Armistice that ended World War I.

Of the five million British men and women who served in the war, only three are still alive. They are Henry Allingham, Harry Patch and William Stone, and they will lead the country in two minutes of silence on Nov. 11, in honor of those who have died in war.

The BBC has a special Web page and programs devoted to the 90th anniversary, along with information about artists and poets from WWI. And the Imperial War Museum in London is the site of a year-long exhibition to commemorate the anniversary.

The museum was also the site of the November 2005 launch of The War Poets series, edited by noted war poet writer Jean Moorcroft Wilson and published by Cecil Woolf Publishers of London.

That fall, just in time for Armistice Day, four volumes in the series were published. Another four came out the following November.

This year, Cecil Woolf Publishers has released several more. They include People’s Poetry of World War One by Phil Carradice, and Trench Songs of the First World War, selected and edited by John Press. These two soft cover volumes are the twelfth and thirteenth in the series.

Five of the volumes in the series are reviewed in the Camden New Journal. You can also read more about them on the Web site of the War Poets Association. Just search on Cecil Woolf.

Other titles in the series, which is billed as “The Lives, Works and Times of the 20th Century War Poets,” include:

  • Richard Aldington: The Selected War Poems
  • Richard Perceval Graves: Changing Perceptions: Poets of the Great War
  • Anne Powell: Alun Lewis: A Poet of Consequences
  • Alan Byford: Edmund Blunden and the Great War: Recollections of a Friendship
  • John Press: Sidney Keyes
  • Christopher Saunders: Edward Thomas: All Roads Lead to France
  • John Press: Charles Hamilton Sorley
  • Merryn Williams: T.P. Cameron Wilson
  • Dominic Hibberd: Harold Monro and Wilfrid Gibson: the Pioneers

For a full list of these and other books from Cecil Woolf Publishers, as well as details about how to order them, click here.

All of the monographs are available directly from Cecil Woolf Publishing, 1 Mornington Place, London NW1 7RP, UK, Tel: 020 7387 2394 (or +44 (0)20 7387 2394 from outside the UK). Prices range from £4.50 to £9.95. 

Cecil Woolf is also planning an addition to his Bloomsbury Heritage series on the topic of Virginia Woolf’s Likes and Dislikes, and anyone can contribute to the project. Search her letters and diaries for the things she liked and those she didn’t, then post them here.

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