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Archive for the ‘To the Lighthouse’ Category

Godrevy Lighthouse

For years, Virginia Woolf readers and scholars around the globe have fought against development plans that threatened the view of the Cornwall coast and Godrevy Lighthouse from Talland House in St. Ives, Cornwall. Now, it seems, that popular and precious view will likely be lost forever.

The message below was contributed by Polly Carter, the National Trust certified gardener at Talland House, and circulated by the Virginia Woolf Society of Great Britain. It is the latest update on the opposition to the plans and includes a discussion of legal options, costs, and the path ahead.

Background

Talland House is important to Woolf’s legacy for several reasons. It was the setting and inspiration for her 1927 novel To the Lighthouse. It was also where Woolf and her family spent their summers  until her mother, Julia Stephen, died in 1895, when Woolf was 13.

As many of you will be aware, news broke in the new year that there was an application with Cornwall Council for amendments to a 2009 planning permission for a 5-storey block of 12 luxury apartments on a site in front of Talland house, which would block the famous view of the bay and lighthouse from Woolf’s formative childhood summer home in St Ives.

Professor Maggie Humm, vice-chair of the Virginia Woolf Society of Great Britain, and Councillor Johnnie Wells, Deputy Mayor of St. Ives at the Talland House plaque unveiling on Sept. 11, 2022. Photo: St. Ives September Festival

Because the application was for amendments to an existing planning permission we were unable to object on grounds of harm to the setting of a listed building, which according to accounts from St Ives Town Council and Cornwall Council, we would have been successful in doing. We still wanted to object to the application for amendments in the hope that the developer would not want to build to the original plans and put in new planning permission, which we could them object to on heritage grounds.

Because our grounds for objecting to the specificity of the amendments were so limited, we chose to bring in legal expertise. Sarah Clover, Barrister at The Kings Chambers, a top of her field expert in planning law. She found fault with Cornwall Council’s route to applying the amendments to the original planning permission. Cornwall Council objected to the points raised in our KC’s advice and granted the permission anyway.

Last week we met with KC Clover and planning law expert solicitor Brendon Lee and they both considered that we do have a legal challenge worth bringing to judicial review. This would mean employing them to create a case detailing the legal mistakes made by Cornwall Council, inviting Cornwall Council to defend themselves and seeing if a judge agrees that the case is worth bringing to court.

If they did, then we could fight it in court in the hope of winning, resulting in the quashing of the application for amendments. Our problem is that the chances of winning are unpredictable and costs could potentially accumulate to un-manageable amounts.

The financial risks

Estimated costs could include:

  • Initial legal preparation: £10,000–£20,000
  • Further legal work if the case progresses: £10,000–£30,000
  • Potential court costs if the case proceeds and is unsuccessful: £10,000–£30,000
    In total, costs could potentially reach £30,000–£80,000.

Because of these risks, it would likely require a named individual to act as the legal client, which also enables a lower cost capping threshold, rather than relying solely on a loosely organized fundraising effort, in case the fundraising cannot meet the demand.

A difficult decision

The group now faces a very narrow window of time. If a judicial review is to be pursued, legal preparations would need to begin within the next two weeks to meet the filing deadline. After this date, the option of judicial review is no longer available.

But the financial implications make this decision impossible without substantial and swift backing. Even if all the money could be found, the risk that it would still come to nothing at all, and even with a win that the original planning permission is still valid, it feels like too much to ask of anyone.

So, we have likely come to the end of the road for quashing the current application for amendments that the developer has asked for and received.

Looking forward

While the potential loss of the historic view from Talland House would be deeply disappointing to many who value its connection to Virginia Woolf, there is also growing interest in strengthening public engagement with the site itself.

Ideas being discussed include:

  • Developing visual arts related programming around Talland House
  • Increasing the garden tours and sharing the story of the meaningful planting being developed there
  • Setting up a Virginia Woolf themed Book Club in St Ives to connect local people to the significance of Woolf’s work and St Ives’ place within that
  • Building a broader network of supporters committed to protecting the cultural legacy of Talland House.
  • Exploring the possibility of a Virginia Woolf museum and gallery in St Ives
  • Curating To The Lighthouse centenary celebrations next year

Whatever the immediate outcome, the conversation has already highlighted how strongly many people feel about preserving the literary and historical significance of Talland House for future generations.

Thank-yous

Lots of work by lots of people has gone into the overall process so far, and despite it not being quite over yet I wanted to thank some key people who have been instrumental in getting us to this stage.

As the gardener at Talland house I am deeply connected to the place and have experienced first-hand how deeply moved people are by experiencing it and hearing its story which has urged me on. I’d like to thank:

  • Peter Eddy, the owner of Talland House, who has allowed these forms of engagement and supported the campaign opposing the development.
  • The residents of Talland house whose privacy I have tried to respect in this process, but who all care deeply about the place.
  • The Virginia Woolf Society of Great Britain, particularly Maggie Humm who has been beside me all the way in this process, Sarah Latham Philips, previously of the VWSGB Executive but is still supporting the campaign and my development within it,  Lynn Fox who helped put the case file together ahead of decision date and has been an encouraging support, the residents of Gallinus Point,  who were among those who contributed to the legal fees, Gemma Jerome, environmental planner who appeared miraculously at just the right time and has provided guidance and clarity, and a huge thank you to Sharon Bylenga who jumped to action on day one, new year’s eve and has given essential financial support and unwavering guidance to and confidence in me and the team.
  • And finally, everyone who lodged an objection in the planning portal or wrote to the Council/MP’s.

For answers to any questions or to add offers for further support, please write to pollycartergardener@icloud.com, and follow @Tallandhouse on Instagram for future updates.

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If you have always wanted to own a Virginia Woolf work with an original Hogarth Press cover design, you are in luck — if you live in the UK or Europe.

Penguin’s Vintage Classics series now includes three Woolf works, including Mrs. Dalloway, with the original Hogarth Press covers designed by her artist sister, Vanessa Bell, in celebration of the 1925 novel’s centenary.

About the Virginia Woolf Gift Classics

Mrs. Dalloway is part of a special three-volume hardback set that also includes A Room of One’s Own (1929) and To the Lighthouse (1927). Each edition features an original cover with gilt-printed boards beneath.

All three book covers in the Virginia Woolf Gift Classics maintain the distinctly hand-rendered shapes and the textural grain of analogue printmaking that the Hogarth Press employed — including the “imperfections” of the originals.

The process and the prices

To create the final replica covers, multiple covers of the originals were scanned and pieced together.

Because of challenges raised by the original sizes of the spines, “these are not facsimile editions but we have made reference to the first editions in every detail of the design and production, from the typeface used in the typesetting, to the choice of paper, to the colour of the cover boards,” explained Charlotte Knight, editorial director at Vintage Classics.

The volumes are available for £24.42 each on the Penguin UK website. The set of three is currently priced at £54. Delivery is only available to the UK and Europe.

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Kabe Wilson pays tribute to archives, as well as Virginia Woolf’s 1927 novel To the Lighthouse, in a newly launched film based on his creative work with modernist archives this spring.

Wilson explains that “Looking for Virginia: An Artist’s Journey Through 100 Archives” “covers a series of archival quests about my childhood holidays, which then link up with Woolf and Bell’s own holidays, as well as their collaboration on To the Lighthouse itself, before developing into an elegy to all three,” Wilson explains.

The culmination of his residency at the Centre for Modernist Studies, the multi-media presentation centers around the story of the 10 paintings of Brighton and Sussex that Wilson produced during the 2020 lockdown period, and the exciting art history discovery that led to one of them becoming the cover image of a new edition of Woolf’s To the Lighthouse.

Read more about it.

More about Kabe Wilson

For his first Woolf-related project, Wilson rearranged Woolf’s words into his novella titled Olivia N’Gowfri – Of One Woman or SoSet 80 years after the publication of Woolf’s essay, it tells the story of a young woman’s radical challenge to literary conservatism in the elitist environment of the University of Cambridge.

He then turned his work into a piece of art, a 4 x 13-ft. sheet of paper displaying the novella’s 145 pages, with each word cut out, individually, from a copy of A Room of One’s Own, and reformed to duplicate the novella.

Learn more about Wilson and his work.

Centre for Modernist Studies from A. T. Kabe on Vimeo.

 

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In All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, Katharine Smyth links her own story with Woolf’s To the Lighthouse.

Published last year, Smyth’s memoir tells the story of her own family, of discovering her parents as people, and of her father’s alcoholism and death. She does it all while weaving in literary criticism of Virginia Woolf’s To the Lighthouse.

By doing so, critics say she creates the perfect medium for reflecting on grief, loss, and marriage, on the way family morphs as you age, on memory and the difficulties of trying to understand who your parents are, and who they once were. Wow. That’s an armload to take on in one book.

The memoir’s title comes from the poem “Luriana Lurilee” by Charles Elton that Woolf references in To the Lighthouse.

That Gordon ties Woolf’s semi-autobiographical novel to her memoir is quite fitting, as Woolf focused her work on her own parents in the roles of Mr. and Mrs. Ramsay.

This is a transcendent book, not a simple meditation on one woman’s loss, but a reflection on all of our losses, on loss itself, on how to remember and commemorate our dead. –  Charlotte Gordon, The Washington Post

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One day walking round Tavistock Square I made up, as I sometimes make up my books, ‘To the Lighthouse’ – Virginia Woolf.

That quote is the inspiration for an illustrated pamphlet published last month and created by artist Louisa Amelia Albani. Titled A Moment in the Life of Virginia Woolf: A Lighthouse Shone in Tavistock Square, the booklet visually reimagines this ‘moment’ on a summer afternoon in London’s Tavistock Square in 1925.

To do so, it uses Woolf’s own words from her letters and diaries, along with excerpts from To the Lighthouse (1927).

I ordered a copy of Albani’s pamphlet last week. It hasn’t arrived from London yet, but I did get a thank you email for my order directly from Albani — an unexpected but lovely treat.

Art exhibit too

The artist also has an online art exhibition with the same title. The exhibit includes more than a dozen pieces based on Woolf. Many of them are already sold, so if you are interested in an original piece of art connected to Woolf, take a look now.

Below is a video of the project that the artist has posted on YouTube.

 

 

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