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Here’s a preview of Lottie Cole’s “Bloomsbury Interiors” show on Nov. 19 at Cricket Fine Art, 2 Park Walk, SW10.

The literature of the 1930s, commonly characterized as anti-modernist because of the prevalence of documentary realism, political purpose, and autobiographically-inflected fiction, bears witness to Woolf’s most daring — The Waves (1931) and most commercially successful — The Years (1937)–  novels.

This issue of the Virginia Woolf Miscellany seeks contributions that explore Woolf’s relationship to the canonical literature of the 1930s, such as but not limited to: Auden’s poetry, Isherwood’s Berlin fiction, Auden’s and Isherwood’s plays, Spender’s commentary, and Waugh’s comedic novels.

In addition, this issue encourages responses to the following questions:

  • How does Woolf scholarship, if at all, engage with the critical study of 1930s literature?
  • How does Woolf’s modernism disrupt or complement the critical understanding of 1930s literature?
  • What can Woolf’s late fiction and essays reveal about the 1930s and its literature that the common scholarly narrative conceals or overlooks?

A note on submissions: We think, read, and work intertextually. With that in mind, I encourage potential contributors to engage with their previous publications if they are, in fact, related to their submission. Footnote or reference in text any previous life a paper may have had; that will only enrich our conversation, not detract from it. We are all involved in the ongoing and evolving conversation about Woolf; let’s celebrate that intertextual evolution.

Send submissions of no more than 2,500 words to: Erica Gene Delsandro, ericadelsandro@gmail.com

Deadline for submissions: Aug. 1, 2014

Queer Becomings includes Woolf

A six-week course at the Barnard Center for Research on Women, Queer Becomings: Woolf, Stein and Modernist Experiments with Time, will cover Virginia Woolf, Getrtrude Stein and others.

The course started Nov. 11 and is held Monday from 7:15-9:15 p.m. The cost is $315.

New edition of The London Scene

Originally published bi-monthly in Good Housekeeping between December 1931 and December 1932, the six essays in The London Scene provide Virginia Woolf’s musings on the street hauntings of which she was most found.

Now Daunt Books is republishing the essays with an introduction by Hermione Lee and original black and white illustrations. The 96-page hardback is available for £10.99.