Posts Tagged ‘call for papers’

Some of the monographs in the Bloomsbury Heritage Series from Cecil Woolf Publishers. The monograph by Catherine Hollis, “Leslie Stephen as Mountaineer: Where does Mont Blanc end, and where do I begin?”, was published in 2010.

The call for papers has gone out for the first-ever conference on Virginia Woolf’s father, Leslie Stephen, which will be held at Université Sorbonne Nouvelle in Paris on Oct. 24-25, 2024. The conference title is “Leslie Stephen: Thinking With and Against His Time International Conference.”

Abstracts of about 300 words, for 25-minute papers in English, together with a short (100-word) author biography, should be sent to the organizers by Jan. 31, 2024, at: leslie.stephen.conference@gmail.com.

A selection of peer-reviewed articles based on papers given at the conference will be collected for publication. In case of difficulties tracing Stephen’s works, please contact the organizers, who will be happy to share links and resources.

Organizers are Claire Davison (Université Sorbonne Nouvelle, Paris); Isabelle Gadoin (Université Sorbonne Nouvelle, Paris); and Marie Laniel (Université de Picardie, Amiens).

More details


Langues, Textes, Arts et Cultures du Monde Anglophone


Conflits, Représentations et Dialogues dans l’Univers Anglo-Saxon

SEW – Société d’Études Woolfiennes

Confirmed keynote speakers

  • Dr. Jane Potter (Oxford Brookes University)
  • Dr. Trudi Tate (Clare Hall, University of Cambridge)

Call for papers

Early advocate of evolutionism, one of the first openly declared agnostics, editor of the Cornhill Magazine, pioneering mountaineer, moral philosopher, founder and general editor of the DNB: there are so many more facets to Leslie Stephen (1832-1904) than those recorded by his daughter Virginia Woolf, who memorably paid tribute to his “strong,” “healthy out of door, moor striding mind”. By unfolding all the contradictions and paradoxes of the character, this first international conference on Leslie Stephen means to reclaim the full complexity of his thought and legacy.

Thinking with and against his time, Stephen held a key position at the heart of the Victorian literary scene and was an impressively prolific writer, profoundly engaged with the religious, philosophical and social debates of his age. A highly respected journalist and critic, he edited the Cornhill Magazine from 1871 to 1882, publishing works by George Meredith, Thomas Hardy, John Addington Symonds, Henry James and R.L. Stevenson, and was the author of hundreds of essays, published over the course of forty years in periodicals, such as the Fortnightly ReviewFraser’s MagazineMacmillan’s MagazineMind, the National Review, the Nineteenth Century, the Saturday Review or the Pall Mall Gazette, a vast oeuvre now finally accessible thanks to online databases.  

His devotion to knowledge and integrity were such that he preferred to break with the academic world of Cambridge rather than compromise with the Church. Heir to the Clapham Sect, Stephen engaged with the theological debates of his time to the point of gradually and publicly embracing agnosticism, a form of radicalism that coexisted from then on with forms of traditionalism.

 His own prolific output bears witness to his encyclopaedic mind and his boundless curiosity for all the key issues of the day, however polemical: the anti-slavery movement, agnosticism, educational and social reform… Both a man of his time and a pioneer, Stephen explored new epistemological modes in keeping with the expanding frontiers of his age, while remaining profoundly anchored in some of the values and hierarchies of the day.

The Dictionary of National Biography (DNB), his life’s work, and one of his most ambitious projects, is the finest example of his desire to define new modes of classification and new forms of expression for the expanding knowledge of his time. Breaking with the established narratives of the past, he devised a new approach to writing the biography of the nation, doing away with the grandiose tradition of commemoration. In its place, he developed a more archaeological approach, delving into the past and collating the life stories of all those who helped shape the evolution of the country.

The same pioneering spirit stoked his passion for the Alps and mountaineering, in which he proved as much a trailblazer as he did in intellectual life. It is this conquering spirit that his close friend Thomas Hardy immortalized in his poem “The Schreckhorn, With Thoughts of Leslie Stephen” (1897), which extolled his will to “venture life and limb” as well as the “quaint glooms” of his personality, when paying tribute to Stephen as the first man ever to ascend this mountain.

However daring and rigorous in his endeavours, Stephen was no less a direct heir to the Romantic tradition. An ardent poetry lover, he could quote vast swathes of the poetic canon, from Milton to Wordsworth, Tennyson and Arnold, and would rhythm both domestic life and mountaineering exploits with his recitations. Likewise, despite his allegiance to Victorian models of “Muscular Christianity”, and the manly world of clubs and fellowships, he would at times indulge in various forms of sentimentalism and melodramatic displays of emotion.

These are some of the contradictions that the participants to this conference are invited to explore. Similarly, his vast output deserves to be reconsidered through diverse critical paradigms, such as new materialist History, print culture studies, new sensory studies, phenomenology, affect studies and ethics, gender studies, health and disability studies.

We welcome contributions focusing on Leslie Stephen, but also on the following topics, connected with his life and times and shedding light on the larger context of his work:

  • Victorian encyclopaedism
  • Victorian periodicals, print culture, the publishing industry
  • Biography, the DNB, “hero-worship”
  • Stephen’s relations to Victorian sages and prophets
  • Letters, epistolarity, literary networks
  • Cambridge, academia, education and university reform
  • Gentlemen’s clubs, sociability
  • 18th century philosophy and literature, the Enlightenment
  • Utilitarianism, Science, Evolutionism
  • The Clapham Sect, Agnosticism, Scepticism
  • War, the anti-slavery movement
  • Morality, the “science of ethics”
  • Mountaineering, athletics, walking, nature and travel writing
  • Memory, elegy, mourning, the Mausoleum Book, Virginia Woolf & Leslie Stephen

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The Virginia Woolf Miscellany has issued a call for papers for Issue 102, the Spring 2024 issue, on the special topic of Twenty-First-Century Perspectives on Virginia Woolf: Feminisms, Genders, Politics, and Patriarchy.

Details are below.

Proposal guidelines and deadline

Send a proposal or an essay (an essay should not be much longer than 2,500 words, including the Works Cited section). The deadline for submissions is Jan. 31, 2024. Please send submissions to both: kimbec@bgsu.edu and neverowv1@southernct.edu


Guest Editor: Kimberly Coates at kimbec@bgsu.edu
Editor: Vara Neverow at everowv1@southernct.edu

About the topic

Activists in the twentieth-century Second-Wave feminist movement coined the phrase “the personal is political” to confront the patriarchy. Today, at least half a century later, the concept still applies, and one must still hold the patriarchy accountable for the marginalization and exploitation of cis-women and trans women alike.

About the call for papers

In this call for papers, the editors invite a variety of contributions that explore, define, and document a range of topics that cluster around Virginia Woolf’s own viewpoints and texts regarding patriarchy and its impact on girls and women (whether cis-born or trans). These approaches can align or clash with differing contemporary sexual and gender-based politics.

Contributions can be in the form of essays, poetry, and artwork. Note: the electronic edition of the issue will include color, but the print version will be in black-and- white format.

Possible questions to address

The editors hope to examine the evolution of this complex historical moment from multiple perspectives. While the editors offer a range of rhetorical questions below, they also encourage contributors to feel free to craft their own approaches.

  • How do Woolf’s works intersect with reproductive rights; reproductive justice; girls, women’s and trans healthcare; and the representation, construction, and control of “female” bodies whether cis-born or other?
  • How do Woolf’s political insights play into the current opportunities and constraints of women’s rights in the workplace, in professions, and in labor?
  • How does Woolf’s advocacy for women’s financial stability and independence intersect with twenty-first variants of exclusion and inclusion of feminisms and womanism?
  • How can Kimberlé Williams Crenshaw’s diagramming of intersectionality, discrimination, privilege, and marginalization—for example, ablism, ageism, class, gender and sex, race/ethnicity/nationality, religion, physical appearance including skin-tone—be applied to Woolf’s own advocacy?

Placing Woolf in 21st-century context

The editors envision articles that might place Woolf in the context of creative twenty-first-century conversations with feminist writers and advocates from Asia, the Middle East, Eastern Europe, Africa, and the Americas.

They also welcome feminist perspectives from the late-nineteenth through to the mid-twentieth century. For example, such British and Western European activists as Josephine Butler, Annie Besant, Sylvia Pankhurst, Millicent Fawcett, Ray Strachey, and Simone de Beauvoir might provide relevant perspectives—but there are many other approaches.

Woolf’s own critical reception as feminist and activist evolved at the same time that Second-Wave advocates, scholars, and novelists, primarily in the United States and Canada, were expressing their views and offering their insights to a feminist readership.

These works published over the years include Valerie Solanas’s SCUM Manifesto (1967), Andrea Dworkin’s Woman-Hating: A Radical Look at Sexuality (1974); Audre Lorde’s Sister Outsider (1984); Margaret Atwood’s The Handmaid’s Tale (1985); Marilyn French’s Beyond Power: On Women, Men and Morals (1986); Patricia Hill Collins’ Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment (1990); and bell hooks’ Feminism Is for Everybody: PassionatePolitics (2000).

The editors are interested in essays that address how these types of perspectives might influence twenty-first century feminisms. Twenty-first century works by such feminist advocates as Roxane Gay, Sara Ahmed, and Chimamanda Ngozi Adichie are highly relevant, as are essays that focus on the work of feminist activists in such fields as politics and climate change and that intersect with elements in Woolf’s own oeuvre.

Evolution of intersections and Woolf’s reception

Over the decades, generations of feminists (we are now in the Fifth Wave) have addressed the increasingly complex perceptions associated with the evolving intersections of sexuality and gender, while also tackling the politics of patriarchy.

Similarly, Woolf’s reception has become ever more intricate and more global as patriarchy has continued to encroach on the lives of women and girls, whether cis-born or trans.

Multiple approaches welcome

The editors welcome multiple approaches. Contributions can be confrontational and passionate but must also speak to collaborative inclusive efforts.

The editors hope that submissions will feature methods, solutions, and possibilities that are centered in Woolf studies and function as counterpoints to the escalating patriarchal and political attacks on feminism, on women and girls, and on trans and queer people in the twenty-first century.

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Get ready for Woolf and Ecologies II! This virtual Fall Symposium will be held on Zoom Oct 20-22 to give those who did not have the opportunity to travel to Ft. Myers, Fla., for the in-person conference the chance to present their work.

It will be hosted by the International Virginia Woolf Society in conjunction with its annual Fall Lecture and in collaboration with the organizers of the 2023 Woolf Conference that took place at Florida Gulf Coast University June 8-11.

The Fall Symposium will extend the theme of the 32nd Annual International Conference on Virginia Woolf: Woolf and Ecologies. Derek Ryan will deliver the 2023 IVWS Fall Lecture, which will double as the symposium’s plenary address.

Call for papers

Those who did not present at the in-person conference in June are invited to submit a 250-word abstract to the Fall Symposium by July 31. Organizers welcome proposals from scholars, students, artists, and common readers of all backgrounds and disciplines.

The Fall Symposium seeks to foster conversations about a wide range of ecologically relevant topics. Proposals may address ecological concerns in or illuminated by Woolf’s work, but they might alternately explore artistic, social, political, economic, racial, de-colonial, anti-ableist, and/or queer ecologies, among others, in or alongside Woolf’s novels, essays, letters, or diaries.

Papers on members of the Bloomsbury Group and other associates of Virginia Woolf in relation to the conference theme are also encouraged.


Please send inquiries to Laci Mattison and Shilo McGiff at woolfecologies@gmail.com.

Note: this virtual event is planned to increase access for those unable to travel for/present their work at the in-person conference at Florida Gulf Coast University earlier this month. Those who presented at this month’s conference, are urged to support their colleagues by attending the symposium on Zoom.

Submit for publication

As in previous years, presenters will have the opportunity to submit their work for publication in the selected papers series. Send queries to Shilo McGiff and Laci Mattison at  woolfecologies@gmail.com.

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Proposals are invited for chapters of previously unpublished and original work to be included in an edited collection, Modernist Continuities: Virginia Woolf and Women in Turkey.

Papers are welcome that engage with Virginia Woolf’s reception by women writers in Turkey, literary networks built between Woolf’s works and works by women writers in Turkey, and her influence on the women’s movement.

The book will form a picture of how Woolf’s writing has served as an inspiration for women in Turkey.

Possible topics

Possible topics include, but are not limited to:

• Virginia Woolf’s comments on or about Turkey
• Bloomsbury Group’s connection to Turkey
• Woolf’s legacy in women’s literature in Turkey. Of particular interest might be
• Halide Edip Adıvar, Tomris Uyar, Sevgi Soysal, Leyla Erbil, Tezer Özlü, Erendiz Atasü, Nilgün Marmara, Mina Urgan
• The influence of Virginia Woolf’s writing on women’s movement in Turkey
• Translations of Virginia Woolf’s works.

Who can submit

Submissions from scholars of all backgrounds and levels of experience exploring Virginia Woolf’s connection to women writers and women’s movement in Turkey are encouraged. Particularly welcome are interdisciplinary contributions aiming at investigating Woolf’s influence on different aspects of literary, political and cultural life in Turkey.

Authors are invited to submit a short bio and a 500-word abstract by May 31. Full drafts between 7,000 and 9,000 words (including notes and bibliography) written in MLA format will be due on Aug. 31.

The collection is due to be published in 2024, and editors have received positive interest for publication from Bloomsbury Publishing.

Deadline and contacts

Send abstracts and queries to: virginiawoolfandwomeninturkey@gmail.com
Deadline for submissions: 31 May 2023
Contact email: virginiawoolfandwomeninturkey@gmail.com


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Here are two calls for papers for Modern Language Association (MLA) 2024. These sessions are not guaranteed, but Ben Hagen, president of the International Virginia Woolf Society, says the IVWS has “had very good luck the past two years getting more than one proposal accepted by the MLA program committee.”

  1. 100 years of Mrs. Brown: Human character may have changed on or about December 1910, but 2024 is the centenary of “Mr. Bennett and Mrs. Brown.” How do we understand Woolf’s theories of fiction now? Send abstracts to: mwilson4@umassd.edu.
  2. Celebrating Virginia Woolf’s 18th Century: Beyond Woolf’s call to lay flowers on Aphra Behn’s grave or borrowing “Common Reader” from Johnson, we invite proposals considering Woolf’s engagement with eighteenth-century literary history, aesthetics, biography, fashion/decor, print culture & printing technologies, waxworks, politics. This is a joint proposal with the American Society for Eighteenth-Century Studies. Send abstracts to: mwallace@ncf.edu and engell784@duq.edu.

Meanwhile, the IVWS guaranteed session for MLA 2024 will be “Rethinking Woolf and Race.”

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