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Posts Tagged ‘Kabe Wilson’

New film pays tribute to photo archives, Virginia Woolf

Posted in films, To the Lighthouse, tagged , , , on Monday 10 July 2023| Leave a Comment »

Kabe Wilson pays tribute to archives, as well as Virginia Woolf’s 1927 novel To the Lighthouse, in a newly launched film based on his creative work with modernist archives this spring.

Wilson explains that “Looking for Virginia: An Artist’s Journey Through 100 Archives” “covers a series of archival quests about my childhood holidays, which then link up with Woolf and Bell’s own holidays, as well as their collaboration on To the Lighthouse itself, before developing into an elegy to all three,” Wilson explains.

The culmination of his residency at the Centre for Modernist Studies, the multi-media presentation centers around the story of the 10 paintings of Brighton and Sussex that Wilson produced during the 2020 lockdown period, and the exciting art history discovery that led to one of them becoming the cover image of a new edition of Woolf’s To the Lighthouse.

Read more about it.

More about Kabe Wilson

For his first Woolf-related project, Wilson rearranged Woolf’s words into his novella titled Olivia N’Gowfri – Of One Woman or So. Set 80 years after the publication of Woolf’s essay, it tells the story of a young woman’s radical challenge to literary conservatism in the elitist environment of the University of Cambridge.

He then turned his work into a piece of art, a 4 x 13-ft. sheet of paper displaying the novella’s 145 pages, with each word cut out, individually, from a copy of A Room of One’s Own, and reformed to duplicate the novella.

Learn more about Wilson and his work.

Centre for Modernist Studies from A. T. Kabe on Vimeo.

 

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To the Lighthouse focus of Kabe Wilson multimedia work

Posted in events, tagged , , , , , on Saturday 29 April 2023| 2 Comments »

At the 2019 Literature Cambridge course “Virginia Woolf and Gardens,” Kabe Wilson explained his art project in which he cut out the words from Woolf’s A Room of One’s Own to create the 145 pages of his novella Olivia N’Gowfri – Of One Woman or So.

Kabe Wilson is launching a new multimedia work on To the Lighthouse at the University of Sussex on May 16.

The work “covers a series of archival quests about my childhood holidays, which then link up with Woolf and Bell’s own holidays, as well as their collaboration on To the Lighthouse itself, before developing into an elegy to all three,” Wilson explains.

The culmination of his residency at the Centre for Modernist Studies, the multi-media presentation centers around the story of the 10 paintings of Brighton and Sussex that Wilson produced during the 2020 lockdown period, and the exciting art history discovery that led to one of them becoming the cover image of a new edition of Woolf’s To the Lighthouse.

A free one-day event in two parts

  • Part One: Modernist Archives Workshop at The Keep, 10 a.m. – 1 p.m., with archivists, art and literary historians, followed by lunch. Includes some connections to the Bloomsbury group. Registration is essential due to space restrictions.
  • Part Two: Film Screening of “Looking for Virginia: An Artist’s Journey Through 100 Archives,” followed by a Q & A with Wilson and chaired by Centre for Modernist Studies Directors Helen Tyson and Hope Wolf at the University of Sussex, Jubilee building, Jubilee Lecture Theatre 144, 3 p.m. – 4:30 or 5 p.m.

Get more information and register

More information is available here. Both events are free, but registration is required. Register here for one or both.

More about Kabe Wilson

Cover of the new edition of Woolf’s To the Lighthouse that features Wilson’s photo.

For his first Woolf-related project, Wilson rearranged Woolf’s words into his novella titled Olivia N’Gowfri – Of One Woman or So. Set 80 years after the publication of Woolf’s essay, it tells the story of a young woman’s radical challenge to literary conservatism in the elitist environment of the University of Cambridge.

He then turned his work into a piece of art, a 4 x 13-ft. sheet of paper displaying the novella’s 145 pages, with each word cut out, individually, from a copy of A Room of One’s Own, and reformed to duplicate the novella.

Learn more about Wilson and his work.

The cover of Woolf’s draft manuscript for “Women & Fiction,” which was the first draft of her classic feminist polemic A Room of One’s Own (1929).

 

 

 

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Author rearranges Woolf’s words into a novella

Posted in books, Woolf in Contemporary Fiction, tagged , , , on Monday 11 January 2016| 2 Comments »

What would happen if you took the 37,971 words that make up Woolf’s feminist polemic A Room of One’s Own (1929) and rearranged them into a work of fiction? And what would happen if that text was then turned into a work of visual art?

Kabe Wilson rearranged Woolf’s words into his novella titled Olivia N’Gowfri – Of One Woman or So. Set 80 years after the publication of Woolf’s essay, it tells the story of a young woman’s radical challenge to literary conservatism in the elitist environment of the University of Cambridge, according to The Guardian.

His work has now been turned into a piece of art, a 4 by 13-ft. sheet of paper displaying the novella’s 145 pages, with each word cut out, individually, from a copy of A Room of One’s Own, and reformed to duplicate the novella.

“[T]he real fun” of the project “was in multi-layered wordplay and finding connections between words – linking different meanings across separate historical periods,” Wilson told The Guardian.

Listen to an interview with the author, who spent four years on the project in which he used computer word lists to make sure he used every word in the original text to tell a new story.

And listen to the author’s explanation of the novella and its concept:

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