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Posts Tagged ‘The Waves’

A screenshot of the title page of the scanned Common Reader: Second Series

Edward Mendelson of Columbia University has shared scanned images of three sets of proofs newly discovered in Columbia’s library. They include two Virginia Woolf novels, as well as an edition of The Common Reader: Second Series.

These invaluable resources are available on Mendelson’s web page — where he has shared his scanned proofs of other Woolf novels. The new scans include the following:

  1. The corrected proofs sent to Harcourt, Brace of  The Waves (1931) “in which the multicolored revisions on p. 301 are a sight to behold,” according to Mendelson. He notes that the page contains links to scanned PDF images of the proofs and early printings of The Waves and to PDF documents containing the texts of those editions, extracted from the scanned images. This page also includes notes on the text and on existing editions of the novel.
  2. The corrected proofs sent to Harcourt, Brace of The Common Reader: Second Series (1932). Scanned images of the marked proofs sent to Harcourt, Brace from the Columbia University Library.
  3. The uncorrected proofs sent to Harcourt, Brace of Orlando (1928), with some index entries added in an unknown hand. Scanned images of the proofs sent to Harcourt, Brace of Orlando from the Columbia University Library. Mendelson notes that Virginia or Leonard Woolf removed the leaf with the list of illustrations (pp. 13-14) before sending these proofs.

More Woolf scans from Mendelson

Mendelson has provided scans of other Woolf works.

More on The Waves

You can also read about Mendelson’s take on “the chapter gone wrong” in The Waves.

Mendelson is the Lionel Trilling Professor in the Humanities at Columbia University. His new book, The Inner Life of Mrs Dalloway, is out this month from Columbia University Press, along with Mrs. Dalloway: The First-Edition Text with the Author’s Revisions, edited by Mendelson and published by New York Review Bookshis new edition of Mrs. Dalloway.

A screenshot of pg. 1 of the comparison of the first American edition and the first British edition of The Waves.

A page in Woolf’s first notebook in which she penned a draft of The Waves

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If you will be in London in October, make time for a new opera based on Virginia Woolf’s 1931 novel The Waves. It runs from Oct 16-19 at the OSO Arts Centre.

The chamber opera comes direct from its world premiere at the Oslo Opera Festival 2024 and is produced by acclaimed Norwegian Director Einar Bjorge and composed by the award-winning Louis Manderre.

It reimagines Woolf’s work as the first-ever operatic adaptation of Woolf’s profound meditation on friendship, identity, and unrequited love among Bernard, Neville, Louis, Susan, Jinny, and Rhoda.

Get tickets.

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Starting yesterday and continuing through May 28, Berkeley Rep is presenting an ambitious new work: “The Waves in Quarantine,” free and online.

The project, based on Virginia Woolf’s 1931 poetic novel, The Waves, consists of six short films that meditate on friendship, loss, and the making of art in this world-changing year.

According to the performance website, the work includes “dazzling choral music, text from the novel itself, exquisite visual imagery, and access behind the scenes as these artists imagine, question, explore and experiment.”

While this online event is free, an RSVP is required at this link.

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From the BBC Radio Drama Collection come adaptations of seven of Virginia Woolf’s pioneering modernist novels, available on CD and as a digital download.

Out since last April, each is a full-cast dramatization by such notable actors as Vanessa Redgrave and Kristin Scott-Thomas. Each includes sound effects — background chatter and the pouring of tea in Night and Day; horses’ hoofs pounding the road and trumpets sounding in Orlando; the gramophone playing, the cows mooing, and the audience clapping in Between the Acts.

The original radio broadcasts took place between October 1980 and May 2012.

The audio versions of Woolf’s novels are available in the UK and the U.S. The cost of the 14-disk CD set in the U.S. is around $30. Playing time is 11 hours and 55 minutes.

Novels included

  • The Voyage Out (1915)
  • Night and Day (1919)
  • Mrs. Dalloway (1925)
  • To the Lighthouse (1927)
  • Orlando (1928)
  • The Waves (1931)
  • Between the Acts (1941)

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Painting of Virginia Woolf by Vanessa Bell currently displayed at Monk’s House

Here are the details of three talks on Virginia Woolf and her times, hosted by Literature Cambridge and Lucy Cavendish College during Michaelmas Term 2019.

Each is free and open to all, town and gown. Participants can buy lunch in the Lucy Cavendish dining hall from 12.30 pm before the talk.

What: Reading Ritual in The Waves (1931) with Ellie Mitchell, ADC Theatre, Cambridge
When: Tuesday 15 October, 1 p.m.
Venue: Founders’ Room, Lucy Cavendish College, Lady Margaret Road, Cambridge.

The Waves was variously described by Woolf as a ‘playpoem’, a ‘mystical poetical novel’ and ‘something struggled for’. This talk reads the novel in the light of Woolf’s interest in the anthropologist Jane Harrison’s theories of classical culture, art and ritual.

What: Professor Dame Gillian Beer, Clare Hall, Cambridge, on Modernist Alice.
When: Tuesday 5 November, 1 p.m.:
Venue: Wolfson Room, Lucy Cavendish College, Lady Margaret Road, Cambridge.

The Alice books transform from age to age and place to place. In the period of Modernism in Britain and Surrealism in Europe, they took devious and different directions. The talk will be illustrated with writing and images drawn from Virginia Woolf, James Joyce, Walter de la Mare, Arthur Eddington, Vladimir Nabokov, Andre Breton, and others.

What: All-day reading of The Waves
When: Sunday 27 October, 10 a.m. to 9 p.m. with regular refreshment breaks. Come for part of the day or the entire day — your choice.
Venue: Thomas Gray Room, Pembroke College. Free, but please book if possible via Eventbrite

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