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Posts Tagged ‘Virginia Woolf Miscellany’

The electronic version of Spring/Summer 2015 Virginia Woolf Miscellany is now available to view online or download and vw miscellany summer 15print, says Editor Vara Neverow.

Edited and with an introduction by Erica Delsandro, the issue includes fascinating essays on Woolf in the context of the 1930s, diverse articles and a review of the performance of Septimus and Clarissa from the Twenty Fifth Annual Conference on Virginia Woolf. A section of the issue is also devoted to heartfelt remembrances of Shari Benstock and Jane Marcus.

The issue also includes seven book reviews, important information about upcoming Woolf conferences, and information about various Woolf societies. The issue, as always, concludes with the Society Column, written this time by the International Virginia Woolf Society’s President, Kristin Czarnecki.

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The due date for submissions to the spring 2016 issue of the Virginia Woolf Miscellany is Oct. 15.

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Call for Papers: A Truly Miscellaneous Woolf Miscellany
Spring 2016 Issue of Virginia Woolf Miscellany
Submissions due:  15 October 2015

Essays requested on any topic related to Virginia Woolf. All topics and approaches are welcome; however, we have particular interest in essays on post-colonial, eco-critical, LGBT, and historical topics. PLEASE NOTE that this CFP replaces the CFP for “The Woolfs and Africa;” however, papers on Africa are especially welcome, including but not limited to the following topics:

  • Virginia Woolf and African writers;
  • representations of Africa in Virginia’s fiction and/or essays;
  • Leonard’s international politics/writing and Africa;
  • imperialism, race, and Africa in the Woolfs’ lives and work;
  • teaching Virginia and/or Leonard Woolf in Africa;
  • African perspectives on Virginia’s feminism;
  • African modernisms and Virginia Woolf;
  • post-colonial African literature and Virginia Woolf.

    Please send queries and submissions to Diana L. Swanson at dswanson@niu.edu<mailto:dswanson@niu.edu> .

    Essays should be between 2,500 and 3,000 words and use MLA citation style. Submit files in Word or RTF format.

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The most recent issue of the Virginia Woolf Miscellany, Fall 2014/Winter 2015 is now online.

This special issue of the Virginia Woolf Miscellany, edited by Kathryn Simpson and Melinda Harvey, focuses on Virginia Woolf and Katherine Mansfield — a perfect complement to this year’s Woolf conference, the 25th Annual International Conference on Virginia Woolf: Virginia Woolf and Her Female Contemporaries.

Contributors are Hilary Newman, Patricia Moran, Susan Reid, Emily Hinnov, Maria J. Lopez & Gerardo Rodríguez Salas, Rose Onans, Alda Correia and Sandra Inskeep-Fox.

According to Vara Neverow, managing editor, the issue also features “truly miscellaneous” contributions including a woodcut of Virginia Woolf by Loren Kantor and essays by Xiaoqin Cao, Steve Ui-chun Yang, Anne Byrne, Daniel Jordon Varon and Erin M. Kingsley.

Book reviewers are Jane Fisher, Wayne Chapman, Ryan Weberling, Bonnie Kime Scott, Steve Ferebee, Maggie Humm and Peter Stansky.

The issue also includes detailed calls for papers for future issues of the Miscellany and a discount form for ordering the Selected Papers from the 24th Annual International Conference on Virginia Woolf: Writing the World in 2014.

Print copies of the issue will be mailed to subscribers and current members of the International Virginia Woolf Society in the near future.

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The Virginia Woolf Miscellany invites submissions of papers for the Fall 2015 issue that address the role of everyday machines in the life and/or works of Virginia Woolf.

From typewriters and telephones to gramophones and the wireless; from motor-cars and combat aeroplanes to trains and department store elevators; from cameras and film projectors to ranges and hot-water tanks, the commonplace technologies of the modern machine age leave their trace on Bloomsbury.

To what extent are these and other machines represented, hidden, implied, avoided, embraced, or questioned by Woolf and her circle and characters?  What is the place of labour and mass production, or the role of the handmade or bespoke object, in the context of such technologies and the desires with which they are implicated?  What are the ramifications for the individual’s everyday navigation of modernity, domesticity, and/or community? Alternatively, what is the influence of everyday technologies on our own interactions with Woolf and her writings?

Please submit papers of no more than 2,500 words to Ann Martin at ann.martin@usask.ca by 31 March 2015. Martin is assistant professor of English at the University of Saskatchewan

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Dr. Ann Martin of the University of Saskatchewan and editor of the fall 2015 issue of the Virginia Woolf Miscellany has issued a call for papers on the theme “Virginia Woolf in the Modern Machine Age.”

The topic is a natural for her, as she has presented papers and published essays on the topic of Woolf’s complicated relationship with the motor car. I was charmed by her paper, “The Lanchester’s Fluid Fly Wheel: Virginia Woolf and British Car Culture,” which she presented at the 23rd Annual International Conference on Virginia Woolf.

Call for paper details

The Virginia Woolf Miscellany invites submissions of papers that address the role of everyday machines in the life and/or works of Virginia Woolf. From typewriters and telephones to gramophones and the wireless; from motor-cars and combat aeroplanes to trains and department store elevators; from cameras and film projectors to ranges and hot water tanks, the commonplace technologies of the modern machineage leave their trace on Bloomsbury.

To what extent are these and other machines represented, hidden, implied, avoided, embraced, or questioned by Woolf and her circle and characters? What is the place of labour and mass production, or the role of the handmade or bespoke object, in the context of such technologies and the desires with which they are implicated? What are the ramifications for the individual’s everyday navigation of modernity, domesticity, and/or community? Alternatively, what is the influence of everyday technologies in our own interactions with Woolf and her writings?

Please submit papers of no more than 2500 words to Ann Martin at ann.martin@usask.ca by 31 March 2015.

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