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Posts Tagged ‘Virginia Woolf Miscellany’

Virginia Woolf Miscellany Winter 2015The most recent issue of the Virginia Woolf Miscellany, Fall 2014/Winter 2015 is now online.

This special issue of the Virginia Woolf Miscellany, edited by Kathryn Simpson and Melinda Harvey, focuses on Virginia Woolf and Katherine Mansfield — a perfect complement to this year’s Woolf conference, the 25th Annual International Conference on Virginia Woolf: Virginia Woolf and Her Female Contemporaries.

Contributors are Hilary Newman, Patricia Moran, Susan Reid, Emily Hinnov, Maria J. Lopez & Gerardo Rodríguez Salas, Rose Onans, Alda Correia and Sandra Inskeep-Fox.

According to Vara Neverow, managing editor, the issue also features “truly miscellaneous” contributions including a woodcut of Virginia Woolf by Loren Kantor and essays by Xiaoqin Cao, Steve Ui-chun Yang, Anne Byrne, Daniel Jordon Varon and Erin M. Kingsley.

Book reviewers are Jane Fisher, Wayne Chapman, Ryan Weberling, Bonnie Kime Scott, Steve Ferebee, Maggie Humm and Peter Stansky.

The issue also includes detailed calls for papers for future issues of the Miscellany and a discount form for ordering the Selected Papers from the 24th Annual International Conference on Virginia Woolf: Writing the World in 2014.

Print copies of the issue will be mailed to subscribers and current members of the International Virginia Woolf Society in the near future.

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VWM Queering WoolfThe Virginia Woolf Miscellany invites submissions of papers for the Fall 2015 issue that address the role of everyday machines in the life and/or works of Virginia Woolf.

From typewriters and telephones to gramophones and the wireless; from motor-cars and combat aeroplanes to trains and department store elevators; from cameras and film projectors to ranges and hot-water tanks, the commonplace technologies of the modern machine age leave their trace on Bloomsbury.

To what extent are these and other machines represented, hidden, implied, avoided, embraced, or questioned by Woolf and her circle and characters?  What is the place of labour and mass production, or the role of the handmade or bespoke object, in the context of such technologies and the desires with which they are implicated?  What are the ramifications for the individual’s everyday navigation of modernity, domesticity, and/or community? Alternatively, what is the influence of everyday technologies on our own interactions with Woolf and her writings?

Please submit papers of no more than 2,500 words to Ann Martin at ann.martin@usask.ca by 31 March 2015. Martin is assistant professor of English at the University of Saskatchewan

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Dr. Ann Martin of the University of Saskatchewan and editor of the fall 2015 issue of the Virginia Woolfvwm Miscellany has issued a call for papers on the theme “Virginia Woolf in the Modern Machine Age.”

The topic is a natural for her, as she has presented papers and published essays on the topic of Woolf’s complicated relationship with the motor car. I was charmed by her paper, “The Lanchester’s Fluid Fly Wheel: Virginia Woolf and British Car Culture,” which she presented at the 23rd Annual International Conference on Virginia Woolf.

Call for paper details

The Virginia Woolf Miscellany invites submissions of papers that address the role of everyday machines in the life and/or works of Virginia Woolf. From typewriters and telephones to gramophones and the wireless; from motor-cars and combat aeroplanes to trains and department store elevators; from cameras and film projectors to ranges and hot water tanks, the commonplace technologies of the modern machineage leave their trace on Bloomsbury.

To what extent are these and other machines represented, hidden, implied, avoided, embraced, or questioned by Woolf and her circle and characters? What is the place of labour and mass production, or the role of the handmade or bespoke object, in the context of such technologies and the desires with which they are implicated? What are the ramifications for the individual’s everyday navigation of modernity, domesticity, and/or community? Alternatively, what is the influence of everyday technologies in our own interactions with Woolf and her writings?

Please submit papers of no more than 2500 words to Ann Martin at ann.martin@usask.ca by 31 March 2015.

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The literature of the 1930s is commonly characterized as anti-modernist because of the prevalence of VWM Queering Woolfdocumentary realism, political purpose, and autobiographically-inflected fiction. Moreover, the canonical literature of the decade is almost entirely authored by privileged young men, a phenomenon explored by Virginia Woolf in “The Leaning Tower.”

Interestingly, however, the 1930s bears witness to Woolf’s most daring and most commercially successful novels, The Waves and  The Years respectively.

With this context in mind: how does the “modernist” and “feminist” Woolf align with the common understanding of the decade’s literary figures and their production? And, by extension, does and if
so, how  Woolf’s 1930s writing sheds new light on a decade of literature otherwise dominated by the Auden and Brideshead Generations?

This issue of Virginia Woolf Miscellany, which will be published in Spring 2015, seeks contributions that explore Woolf’s relationship to the canonical literature of the 1930s, such as but not limited to:

Auden’s poetry, Isherwood’s Berlin fiction, Auden’s and Isherwood’s plays, Spender’s commentary, and Waugh’s comedic novels. Equally, this issue also seeks contributions examining resonances among Woolf’s 1930s writing and non-canonical literature of the decade, especially literature written by women.

In addition, this issue encourages responses to the following questions:

  • How does Woolf scholarship, if at all, engage with the critical study of 1930s literature?
  • How does Woolf?s modernism disrupt or complement the critical understanding of 1930s literature?
  • What can Woolf?s late fiction and essays reveal about the 1930s and its literature that the traditional scholarly narrative conceals or overlooks?

Send submissions of no more than 2500 words to: Erica Gene Delsandro ericadelsandro@gmail.com

Deadline for submission: Extended to Sept. 1, 2014

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VW Miscellany now onlineSpring 2013 VWM table of contents

The  Spring 2013 Virginia Woolf Miscellany is now online. Edited by Emily Kopley and Sara Sullam, the special topic is Virginia Woolf and Literary Genre. Print copies will be mailed to current members of the International Virginia Woolf Society in the next two weeks.

Calls for papers

Upcoming calls for papers for the Virginia Woolf Miscellany include:
  • Spring 2014 issue, with the special topic Woolf and Materiality. The submission deadline is Aug. 1. Editor is Derek Ryan at D.Ryan@exeter.ac.uk.
  • Fall 2014 issue, with the special topic Virginia Woolf and Katherine Mansfield. The submission deadline is March 1, 2014. Editor is Kathryn Simpson at kathryn.simpson88@gmail.com and  Melinda Harvey at melinda.harvey@monash.edu.

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