This is a wonderful piece that puts Bloomsbury art in the social, political and cultural context of the 1920s-1930s.
Posts Tagged ‘World War I’
A Summer Salon: A Snapshot of British Art Between the Wars
Posted in art, Bloomsbury, Virginia Woolf, tagged Bloomsbury art, Charleston Farmhouse, Duncan Grant, World War I on Wednesday 13 May 2015| Leave a Comment »
Women war poets in Virginia Woolf’s time
Posted in Virginia Woolf, Woolf and war, World War I, tagged Karen Levenback, Lucy London, Virginia Woolf, World War I, World War I women war poets on Thursday 23 April 2015| Leave a Comment »
Here are two wonderful resources shared with the VWoolf Listserv by Karen Levenback, author of Virginia Woolf and the Great War (2000).
The first is an online timeline of literature in the context of historical, social and cultural events from 1914-1919.
The second is research conducted by Lucy London, who Levenback describes as “a most helpful woman in England, who is working on women and the Great War.”
London, a poet who trained as a French/English shorthand secretary and worked in London in the media and public relations, is now researching women poets of the Great War around the world.
She describes her project as “a (self-funded) research project that seeks to inform the general public about the First World War through exhibitions of the work and lives of women who wrote poetry at that time.”
Her blog, Female Poets of the Great War, documents her efforts. But she has other blogs as well:
Follow her on Twitter @LucyLondon7, where she posted this thank you after learning that Blogging Woolf was reporting on her efforts:
@woolfwriter @LucyLondon7 On behalf of all those forgotten WW1 poets – thank you so much.
— Lucy London (@LucyLondon7) April 23, 2015
Three-part essay on To the Lighthouse now online
Posted in To the Lighthouse, Virginia Woolf, Woolf and war, tagged Andre Gerard, Berfrois, To the Lighthouse, Virginia Woolf, World War I on Monday 16 March 2015| Leave a Comment »
Andre Gerard‘s three-part essay on Virginia Woolf’s To the Lighthouse is now on Berfrois, the UK literary-intellectual online magazine. Here are the links:
- Names, Texts and WWI in To the Lighthouse
- The Odyssey, The Times and Howard’s End in To the Lighthouse
- Virgil, Tolstoy and War in To the Lighthouse
Also on the site is another essay by Gerard, publisher of Patremoir Press: Virginia’s Whipping Boy: The Strange Case of Virginia Woolf and Edmund Gosse
Ultimately, what I want to do is to think about To the Lighthouse as an antiwar novel, and to make the case that it is one of the greatest books ever written about the causes and consequences of war. – Gerard in “Names, Texts and WWI in To the Lighthouse“
100 years ago, war comes to Bloomsbury
Posted in Bloomsbury, Virginia Woolf, Woolf and war, tagged Bloomsbury, Virginia Woolf, World War I on Monday 1 September 2014| 1 Comment »
New book on shell shock and war includes Woolf
Posted in books, Mrs. Dalloway, Woolf and war, tagged Ashgate Press, Rebecca West, Shell Shock, Shell Shock and the Modernist Imagination: The Death Drive in Post-World War I British Fiction, VirginiaWoolf, World War I, Wyatt Bonikowski on Saturday 23 March 2013| Leave a Comment »
Shell Shock and the Modernist Imagination: The Death Drive in Post-World War I British Fiction by Wyatt Bonikowski is just out from Ashgate Press.
It includes a chapter on Virginia Woolf’s novel Mrs. Dalloway (1925) titled “`death was an attempt to communicate’: Virginia Woolf’s Mrs. Dalloway.” Bonikowski, assistant profess or English at Suffolk University in Boston, presented part of the chapter at a 2008 MLA panel sponsored by the International Virginia Woolf Society.
The book looks at case histories of shell shock, along with Modernist novels by Ford Madox Ford, Rebecca West, and Woolf, to show how the figure of the shell-shocked soldier and the symptoms of war trauma were transformed by the literary imagination.
Bonikowski argues that the authors in his study broaden our understanding of the traumatic effects of war and explore the idea that there may be a connection between the trauma of war and the trauma of sexuality. All three novels are structured around the relationship between a soldier returning from and a woman who awaits him. However, according to Bonikowski’s argument, the novels do not offer the possibility of a healing effect from the reunion.
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