Where I live, we are lucky to have Nightlight Cinema, a small locally-owned theatre that shows independent films ignored by the big theater complexes that feature blockbusters.
Drawn in by a preview of A Ghost Story, I attended Nightlight’s last showing of the film on Thursday. I was glad I did. Why? Two reasons. It was intriguing. And it pays tribute to Virginia Woolf.
The film, which has received rave reviews, includes the first line of Woolf’s short story “A Haunted House” in the opening credits. It is shown for a few moments on a dark background.
Whatever hour you woke there was a door shutting.
Filmmaker David Lowery’s use of the quote was a clue to what I didn’t know but soon learned — that Woolf is one of his favorite authors and her 1921 story helped inspire his film.
My investigation also uncovered the fact that when the ghost knocks several books off a shelf, the open book upon which the camera focuses includes important lines from “A Haunted House,” lines about treasure, buried treasure, “the light in the heart.”
Woolf as guiding light
“Orlando is one of my favourite novels,” Lowery told the Irish Times. “I love her letters too. She’s my guiding light. The way she uses time fascinates me. Especially in To the Lighthouse and Orlando. They play with time in this dynamic and fun way. I love the idea of a character existing outside of time in the way that Orlando does.
“So that was certainly on my mind when I was writing the screenplay. And I wanted to pay homage to her in some small regard. And I wondered if she had ever written about ghosts. So I did a Google search. And found A Haunted House. I couldn’t believe that I had never read it before.
“The first sentence begins: ‘Whatever hour you woke there was a door shunting’. [sic] I couldn’t resist extending that to the film. I hope that it encourages somebody somewhere to pick up her work. Because I owe a lot to her.”
Playing with time as Woolf does
The film is a story of a house and its haunting, much like Woolf’s story. And it kept me thinking about its meaning and the message of the film long after I exited the theater, just as Woolf’s writing does long after I finish one of her novels or stories.
What’s more, Lowery plays with time in the film, much as Woolf does. As he noted in an interview with Huffington Post: “Virginia Woolf’s literature really transformed my own ideas about how to formally represent the passage of time and how time affects us. Specifically, the benchmarks are Mrs. Dalloway, To the Lighthouse and Orlando, all of which have time as a central conceit.”
