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Posts Tagged ‘in memoriam’

Editor’s Note: Additional recollections of Elisa Sparks’ contributions to the Woolf community and beyond were added to this post on 22 August, 2025.

I could never think of Virginia Woolf and flowers without thinking of Elisa Kay Sparks, who died Aug. 16 in Seattle, Washington.

Woolf, flowers and gardens were Elisa’s specialty, and she shared her passion and her knowledge with Woolf readers and scholars around the world — through her published writing, at conferences, through her many personal relationships, and via her social media accounts.

Elisa’s online “A Virginia Woolf Herbarium”

She created the online resource, A Virginia Woolf Herbarium, which was featured on Blogging Woolf and recognized by author Rebecca Solnit.

Scholar, teacher, writer, artist

A teacher of literature (contemporary, modern British, and science fiction) and women’s studies for 35 years at Clemson University, Elisa published articles on parks, gardens, and flowers in Virginia Woolf’s life and work as well as a number of pieces exploring connections between the works of Woolf and the American Modernist painter Georgia O’Keeffe.

She was under contract to write an inclusive study of Woolf’s use of flowers in her novels, and she had finished its 300 pages before she died.

She was also working on a series of woodcuts of the 98 flowers that appear in Woolf’s novels, a project she planned to present at the 36th Annual International Conference on Virginia Woolf in Oslo, Norway, in 2027.

The woodcut project is no surprise. For besides being a scholar and a writer, Elisa was also a printmaker, specializing in color-reduction woodblocks and encaustic monotype, as well as experimenting with other forms of art.

Tributes to Elisa from around the globe

A memorial service for Elisa is being planned. Meanwhile, tributes to Elisa were posted to the VWoolf Listserv and on her Facebook page and others. Please post yours as a comment below.

“She was, in the words of Shilo McGiff, `a wild and beautiful soul’ and she loved and cared for so many of us in the Woolf community for many, many years,” according to Anne Fernald in her post that shared the news of Elisa’s passing with the VWoolf Listserv.

Elisa Bolchi’s wall of artwork that includes a piece by Elisa Kay Sparks.

From Elisa Bolchi, co-editor of The Edinburgh Companion to Virginia Woolf and Transnational Perspectives: “An artist never dies. In my house in Ferrara, @ekaysparks is on the wall behind my sofa, with a work titled ‘Talland House Ghosts’ that I bought at the Annual Woolf Conference at Fort Meyers, Florida. It’s colourful, poetical, inspiring, like she was. You’ll be missed, Elisa. But you’ll live with us, and make our memories colourful and bright. Because an artist never dies.”

From Helen Southworth: “She was funny, kind, engaged, and very creative.  I never visited her Woolf World, but it captures nicely her adventurousness. I’m imagining her laughing and bustling about, cooking up a new project on her Woolf island surrounded by O’Keefe-inspired flowers!”

From Louisa Albani, artist and the publisher of Nightbird Press: “Elisa was a real supporter of my Virginia Woolf artworks and one of the artworks she purchased was of Virginia Woolf describing her mother standing by the purple passion flowers that grew on the balcony of Talland.”

Facebook post by Mine Özyurt Kılıç

From Mine Özyurt Kılıç of the Woolf Arts Archive: “Your earthly herbarium of human and non-human beings will miss you so much, dear Elisa Kay Sparks.”

From neighbor Annika Bowden: “Rest in peace, Elisa. Thank you so much for your friendship, kindness, and infectious positive attitude. Our little neighborhood is not the same without you and you are desperately missed by many of us.”

From Angeliki Spiropoulou: “Elisa was a prominent member of the Woolf community who has contributed original, insightful and sensitive work to Woolf studies, a kind, sparkling  and inspiring academic, artist and friend. She will be missed by all who knew her.”

Elisa’s beloved dog

From Laura Cernat: “Elisa will be dearly missed. I wasn’t able to meet her in person either, but at the Woolf Salons she was a vibrant presence and an indispensable source of insights (and complete bibliographies on a variety of topics). I am glad that I got to know her, at least virtually, and that the Woolf Herbarium blog lives on as part of her legacy. So sad to hear about her passing.”

From Katherine Hill-Miller: “Like all of us, I am so sorry to hear of Elisa’s death. She was a bright light in the Woolf world, a woman who unfailingly welcomed, engaged, and supported others. It goes without saying that Elisa’s work on flowers and plants is an invaluable tool for all of us. But Elisa was, quite simply, a wonderfully loving woman.  I miss her deeply.  A light has gone out.”

From Diana Swanson: “Elisa’s Woolf scholarship is important, original, interesting, and often fun. I honor her for that. And I honor her for her art and her support of other artists. I honor her more, though, for something she may not have mentioned to many on the Woolf listserv. Some years ago, I shared with Elisa and a few others at a Woolf conference that I was searching out ways of supporting a girls boarding high school that I had visited in rural Kenya, a school founded by two Kenyan friends of mine to provide ‘an education good enough for the richest, open to the poorest.’ Sometime after that, Elisa came to me with an idea. In memory of her parents, both scientists, she offered to support the teaching of science at Jane Adeny Memorial School (JAMS). The result became ‘Sparks Lab,’ a science building in which, as of today, more than 350 Kenyan girls have studied biology, chemistry, and physics. Thanks to Elisa’s gift, many JAMS alums are now either studying for, or currently pursuing, careers in agriculture, medicine, and the sciences. One young woman is even now studying at the university in Illinois where I used to teach, researching crop plant diseases with the goal of helping to reduce the kind of hunger she herself experienced growing up. Elisa touched my heart, and transformed lives, with her care and compassion for people she never met but whose lives she could imagine and value.

From Anne Fernald: “She was ill with cancer, but, although her death came quickly, she was surrounded by friends and knew how much the many of us who could not be present with her in Seattle loved her. Before she died, she shared an incredibly cheerful and brave message about her dog, the flowers, the birds, and how she was letting herself be taken care of in her illness. I know that many of you will join me in grieving and celebrating the life of this wonderful woman.”

A blessing cast

Below is Elisa’s July 3 post on Facebook. And yes, she did cast a blessing to all who knew her.

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Virginia Woolf died 83 years ago today, on March 28, 1941. Lots has been written about her life — and her death. But today I want to suggest that we remember her by reading her work.

The Virginia Woolf Society of Great Britain is doing just that by organizing a new Woolf and Bloomsbury reading group for members only, which gives us one more reason to join that esteemed society.

The group will read the works of Virginia Woolf and some of her Bloomsbury contemporaries and friends to find connections, influences and similarities between them.

The meetings will be a mixture of face-to-face and online discussions, with the kick-off meeting to take place online on April 6.

The May meeting will be the first reading group, which will focus on a discussion of The Voyage Out.

You can be a part of it by joining the Virginia Woolf Society of Great Britain, starting at £25 (£10 students).

Read Woolf on your own

You can also vow to read Woolf on your own. Take a look at two ways to do this in this recent post on Blogging Woolf.

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A print from Suzanne Bellamy’s “Virginia Woolf Series”

Tributes to Suzanne Bellamy, artist, writer, scholar, Australian feminist pioneer, and quintessential free spirit, are flooding social media and email inboxes since she passed away early on June 20 in her native Australia.

Conferences and art

I didn’t know Suzanne well, though many Virginia Woolf scholars did. I met her in 2007 at the 17th Annual International Conference on Virginia Woolf at Miami University of Ohio. I was a newbie to Woolf studies, and it was my first conference.

Suzanne had a table of her artwork at that event, as she often did, and that year she was right across the aisle from Cecil Woolf, whom I had just met for the first time. I must have said something that indicated I was a Woolf novice, because in her own inimitable fashion, Suzanne made sure that I knew exactly to whom I was speaking — THE Cecil Woolf!

Suzanne had a generous spirit. In 2011, she wrote a post for this blog that explained her painting “Woolf and the Chaucer Horse,” which she created for the 21st Annual International Conference on Virginia Woolf. Over the years, she gave me many prints of her art that featured Woolf. One of them, that I framed and hung in my home, is pictured above. I plan to frame more.

Scholar, artist, feminist, and more

Suzanne was a published scholar of both Woolf and Gertrude Stein. But she was much more than that. She was an essayist. She worked in visual music and abstraction and lesbian modernism. Her work also included word jazz and ecology and water, according to her website.

Her first large solo U.S. show was at the Northampton Center for the Arts in Massachusetts in May/June 2003, and she was artist in residence at Smith College during the 2003 International Virginia Woolf Conference.

In London at the 2004 conference, she was a featured presenter with a jazz visual text improvisation called “Am I Blue?.” This was her scat word and visual painting interpretation of three Woolf experimental short fictions about war with large canvas paintings as set.

In 1969, Suzanne was also part of the first group of Women’s Liberation in Sydney. She taught Women’s Studies and Politics at Macquarie University from 1974 to 1980, a period she called “the great feminist years.” She was National Convenor of the First Women and Labour Conference in 1978 and she worked on all three Australian Women’s Commissions.

Below is just one of the many tributes to Suzanne that has been shared. This one was sent by Benjamin Hagen, president of the International Virginia Woolf Society. It is based on information shared by Suzanne’s dear friend, collaborator, and fellow Woolf scholar Elisa Kay Sparks.

Tribute from Ben Hagen, president of IVWS

I write now, however, with the sad news that Suzanne Bellamy, a friend and spiritual traveling companion to so many in the international Woolf community, passed away peacefully a little after midnight, this past Monday morning, Australian time.

Suzanne was particularly delighted that she had been able to participate in a panel at this year’s Woolf conference with Elisa Kay Sparks, Davi Pinho, and Maria Oliveira. Those of us who attended that virtual panel were struck by the power of the work she shared with us that day.

Though very ill, she was able to stay at home until last Wednesday. She was “completely present,” a friend reports, until Saturday, discussing lists of people to notify and what to do about artwork, etc. before she slipped into a quiet coma from which she did not wake up.

Suzanne was born 22 September 1948. Her friends in Australia are making sure that her property is secured and her artwork taken care of, fulfilling the requests in her will. They will gather together for a major celebration of Suzanne’s life in September, around her birthday and the solstice. As some of you know, much of Suzanne’s work—journals, artworks, and films about the Australian women’s movement—have already been sorted and placed in the Australian National Archives.

On behalf of the IVWS, I send condolences to all members who knew Suzanne, treasured her friendship and guidance, and benefited from the light she brought with her wherever she traveled. To those who did not know Suzanne, I hope you will have a chance in the coming weeks and months and years to learn about her artwork, her Woolf scholarship, her political activism, her goodness, her power, and her love.

Tribute from Claire Nicholson, chair, Virginia Woolf Society of Great Britain

On behalf of all members of the Virginia Woolf Society of Great Britain, I’d like to extend our deep condolences to the family, friends and colleagues of Suzanne Bellamy. An inspiring artist and scholar, Suzanne was an unforgettable presence at  International Virginia Woolf Conferences. Her artistic vision, wide-ranging knowledge and warm sense of humour livened up many conference proceedings and she was held in real affection by Woolfians from all over the world. She will be much missed indeed, but leaves a wonderful legacy of her work which will be enjoyed for many years to come. Rest in peace, Suzanne.

“Woolf and the Chaucer Horse” by Suzanne Bellamy

 

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Editor’s Note:  I did not know Laura Marcus personally, but her passing on Sept. 22 has prompted tributes from scholars and institutions around the world. Here is one of them, posted on the English faculty web page of the University of Oxford, where she was a Fellow of New College. Tributes to her scholarship, as well as her teaching and friendship, were also posted on social media.

Laura Marcus

Professor Laura Marcus

We are devastated to report the death on Wednesday 22 September 2021 after a short illness of Professor Laura Marcus FBA, Goldsmiths Professor of English Literature in the Faculty of English and Fellow of New College. In her influential work on modernism and Virginia Woolf, on life-writing and fiction and film, Professor Marcus was admired for her immense scholarly range, her mastery of theory and narrative and genres, her deep knowledge of literary and cultural connections and influences, and her illuminating, serious interest in, and practice of, feminist thought. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007). She was bringing to completion a new monograph built on her project ‘Rhythmical Subjects: the measures of the modern’ which the Faculty of English and Oxford University Press hope to see through to publication.

Her service to her profession and her subject was unstinting and inspiring. She was elected as a Fellow of the British Academy in 2011 and was a much-loved, passionately engaged supervisor and mentor of other scholars at all stages of their careers. As a Delegate at Oxford University Press for approaching ten years, Laura read and evaluated hundreds of proposals across the span of literary studies and music and had a shaping influence on the Literature list, working closely with its editors. Colleagues at all levels of the Press found her to be a wonderful and supportive adviser, full of warmth and of interest in their work.

Miles Young, Warden of New College says, “New College grieves for Laura Marcus: she loved this college which had been her Oxford home for over ten years, and we loved her. Continuing a distinguished succession of Goldsmiths’ Professors, she added a particular lustre to the title through the creative breadth of her research and writing. She will be missed as a colleague who represented the epitome of academic courtesy, conscience and companionship.”

Professor Isobel Armstrong remembers: “Laura was a friend for almost forty years. These are my memories of her when she taught at Southampton. She seemed born with a formidable archival knowledge, worn so lightly. Unique was her intellectual charm and generosity as interlocutor: she would listen intently to someone’s ideas and then give them back creatively transformed, expanded and deepened, a wonderful gift even at her most stringent. She was innately witty – ‘you have to love a book enough to begin writing it and hate it enough to finish it.’”

Dame Hermione Lee FBA, FRSL speaks for so many of us who had the privilege of knowing Laura Marcus: “Writing on autobiography, Laura quoted Katherine Mansfield’s idea of the self as a plant which comes to the light: ‘and – we are alive – we are flowering for our moment upon the earth’. That flowering self of hers was grand, vital and lavish, and gave colour and brightness to all who encountered it. ”

Laura Marcus will be sorely missed.

 

 

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Kind. Gentle. Tough. Those were the words used to describe Cecil Woolf in the Camden New Journal story reporting on the Oct. 19 memorial service held in his honor at St. Peter’s Church in Belgravia, London.

Cecil Woolf and Jean Moorcroft Wilson at their home in London, June 2017.

About 150 friends, relatives, colleagues, and admirers attended the service for Cecil, the oldest living relative of Virginia and Leonard Woolf, who died June 10 in London at the age of 92.

Claire Nicholson, chair of the Virginia Woolf Society of Great Britain, and Vivien Whelpton of the War Poets Association spoke, as did his widow, Jean Moorcroft Wilson. Each recalled Cecil’s work as a a gentleman, a publisher, and an advocate for social justice.

More memorials in print

Issue 95, the Spring/Summer 2019 issue of the International Virginia Woolf Society’s Miscellany will include a special section devoted to Cecil.

In addition, a paper based on the panel “The Woolfs, Bloomsbury, and Social Justice: Cecil Woolf Monographs Past and Present,” which was presented at the 29th Annual International Conference on Virginia Woolf, has been accepted for publication in the two-volume conference proceedings. Published by Clemson University Press, each volume will include 16 essays.

Retitled “The Woolfs, Bloomsbury, and Social Justice: the Ongoing Legacy of Cecil Woolf Publishers as an Advocate for Social Justice,” the paper will be co-written by:

  • Karen Levenback (Franciscan Monastery). Introduction to Cecil Woolf Publishers
  • Lois Gilmore (Bucks County Community College), “A Legacy of Social Justice in Times of War and Peace.”
  • Paula Maggio (Blogging Woolf), “Cecil Woolf Publishers: Using the Power of the Press to Advocate for Peace.”
  • Todd Avery (University of Massachusetts, Lowell), “Just Lives of the Obscure: Cecil Woolf, Biography, and Social Justice.”
  • Vara Neverow (Southern Connecticut State University) Respondent

This photo of Cecil Woolf as a young lance-corporal fighting in Italy in the Second World War was used on the cover of the Order of Service at his Oct. 19 memorial service.

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