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Posts Tagged ‘29th Annual International Conference on Virginia Woolf’

Cecil Woolf stops at 46 Gordon Square, London, while giving Blogging Woolf a personal tour of Bloomsbury in June 2016.

The call came a few weeks ago. Woolf scholars and friends were asked to provide video clips of five minutes or less that would share our memories of Cecil Woolf, who passed away June 10, 2019, just over two years ago

The project was the brainchild of Drew Shannon, associate professor in the Department of Liberal Arts at Mount St. Joseph University and organizer of the 2019 Virginia Woolf Conference, and Jean Moorcroft Wilson, Cecil’s widow.

The 44-minute video here, first shared at the 30th Annual International Conference on Virginia Woolf that wrapped up last Sunday, is the result.

It is not the final product, however, as this is is an ongoing project. Plans are in the works for continuing to celebrate and remember this beloved man, who was a friend, colleague, and publisher to so many people around the globe. The nephew of Leonard and Virginia is greatly missed by all who knew him.

Meanwhile, we hope this tribute video gives those who never had the opportunity to meet Cecil a glimpse into the charming and endearing man he was.

a series

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This is the fifth in a new series of posts that will offer a global perspective on Woolf studies, as proposed by Stefano Rozzoni at the 29th Annual International Conference on Virginia Woolf. If you would like to contribute to this series, please contact Blogging Woolf at bloggingwoolf@yahoo.com.

By Sanita Fejzić

The 29th Annual International Conference on Virginia Woolf at Mount St. Joseph University in Cincinnati, Ohio, was the first formal gathering of Woolf scholars I attended.

Virginia Woolf portrait by Mathieu Laca hanging above writer Sanita Fejzić

I am not a traditional ‘Woolf scholar’ because my speciality is broader and outside English Literature: I am a Ph.D. candidate in Cultural Studies at Queen’s University in Canada with a focus on the relationship between environmental ethics and cultural production (with an emphasis on the written word). Yet, Virginia Woolf permeates so much of my thinking. A Room of One’s Own (1929) was an initiation, a provocation, an intellectual opening into thinking-as-woman in the university setting, a site of intellectual and creative production denied to a young Woolf.

Turning to Woolf to understand queer identity

In a period of generalized homophobia and literary censorship (think of Radcliffe Hall’s The Well of Loneliness) Virginia Woolf penned Orlando (1928) in honour of her lover, the aristocratic poet and novelist Vita Sackville-West. Vita’s son Nigel called it, “the longest and most charming love letter in literature.”

As a lesbian, it is impossible for me not to turn to Woolf for her depth of understanding of what it means to assert a queer identity in heteronormative societies. Her exquisite play-poem, The Waves, accurately portrays the seeming impossibility of establishing lesbian desire and sense of self precisely because identity is relational and constituted by power.

Critics are quick to point out that Rhoda is the most abstract character of The Waves (1931). Yet Rhoda’s extreme social timidity coupled with her sense of alienation, her very literary way of processing events and people, her inability to express herself and her eventual suicide are not mere abstractions. These are the material symptoms of a profound social sickness.

In The Waves the self is constituted by others, specifically six other petals of the flower that make up a group of friends (or in childhood, a nuclear family). There is a palpable sense of how characters co-create one another throughout the text. The self is also shaped by social institutions like the school, and other state apparatuses.

Rhoda, whose sexual attraction for Miss Lambert is stunted and repressed, never fully blossoms into lived experience. How can lesbian desire and sexuality emerge in public and intimate spaces that deny the very possibility of romantic and sexual love between women? That is why, as I have argued elsewhere, Rhoda’s suicide was a co-creative act, one that was precipitated by homophobic and sexist social circumstances.

Virginia Woolf’s understanding of the ways in which power subjugates women and in particular queer women was a scaffolding in the limitations (and stubborn necessity) of my will to invent what I desire. My MA thesis focused on Virginia Woolf even though its subject was transcorporeality (a posthumanist term coined by Stacey Alaimo to signify fluidity between bodies, human and nonhuman bodies as well as theoretical bodies) and more-than-human intersubjectivity.

The Waves and our place in the world

Because if many have pointed out that Woolf was a protofeminist, I would suggest she was also a proto-posthumanist. It is impossible to read To the Lighthouse (1927) or The Waves, for example, without contending with the entanglement between humans and what we call ‘nature,’ an umbrella term for animals (which includes us), plants, water, landscapes, climate and geography and all the other vibrant materialities we coexist with.

The Waves reminds us of our place in the world. Our lives are, on the grand scale of geological time, but a single note in the grand cosmic symphony we come in and out of, like a wave emerging, peaking and disappearing in a vast ocean of movement. Today, we know today that humans are a geological force responsible for climate change, mass species extinction, ocean acidification, unhealthy levels of toxicity in our bodies and nonhuman bodies, threatening our very own survival. Woolf never fully let us forget our entanglements with our organic and inorganic (yet lively) co-existents.

If Virginia Woolf wanted to see a modern fiction concerned with the soul, with our inner lives, abandoning old pillars including linear plot, marriage, comedy and the rest, her work was nonetheless deeply attuned to the impact of seemingly impersonal historical hands on private lives. Between the Acts (1941) is a testament to the ways in which humanity (an abstract concept we never experience outside of cognition) and its past continues to affect and shape our present and future.

This, I think, is the most pressing philosophical issue in our ecologically compromised times: how to contend with a humanist and Enlightened past in times when the very concept of ‘human as separate and autonomous from nature’ is under great tension.

Woolf a good starting point

It is my view that Virginia Woolf is as good a starting point to begin thinking about posthumanism as the work of Nietzsche, Foucault or Haraway. As anthropologist Marilyn Strathern reminds us, who we think with matters, and Woolf’s fiction and non-fiction are so rich in breadth and depth that her work is, as the French say, inconturbable. I often imagine that had Woolf been permitted into a university, she would have instinctively gravitated toward research-creation as her methodology, writing fiction starred with theory and theory taken by poetic will.

To continue to read her and to gather in her honour as we do at Woolf Conferences is to utter a loud, prolonged, mournful yet exalted howl—for everything she has given us and for all we have lost when she took her life.

Editor’s Note: From the age of 15 to 19, Woolf took classes in continental and English history, beginning and advanced Greek, intermediate Latin and German grammar at the King’s College Ladies’ Department. She also had private tutors in German, Greek and Latin. One of them was Clara Pater, sister of critic and essayist Walter Pater. Read more.

Read more in the series:

Sanita Fejzić (at left in pink top) among the Woolf scholars at Cincinnati’s Mercantile Library during a reception at the 29th Annual International Conference on Virginia Woolf.

Woolf scholars at the Saturday night banquet for the 29th Annual International Conference on Virginia Woolf at Mount St. Joseph University in Cincinnati in June 2019.

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This is the fourth in a new series of posts that will offer a global perspective on Woolf studies, as proposed by Stefano Rozzoni at the 29th Annual International Conference on Virginia Woolf. If you would like to contribute to this series, please contact Blogging Woolf at bloggingwoolf@yahoo.com.

Editor’s Note: Feb. 1 is the deadline for the call for papers for the 30th Annual International Conference on Virginia Woolf: Profession and Performance, which will be held at the University of South Dakota in Vermilion, South Dakota June 11-14. Get the details.

By Profa. Dra. Maria Aparecida de Oliveira

The Woolf Conference happens in a friendly, warm and welcoming environment. It really enhances the sense of community. It is an international community of scholars from different parts of the globe to share knowledge on a writer we all love. The conference enriches our knowledge not only about Woolf, but also in relation to other writers and to different approaches, theories and tendencies.

Stefano Rozzoni of Italy and Maria Oliveira of Brazil at the 29th Annual International Virginia Woolf Conference at Mount St. Joseph University in Cincinnati, Ohio, June 6-9, 2019.

The great quality of papers forces and challenges us to do our best. Consequently, it helps us to improve our research. By following how famous scholars undertake their own researches, it teaches us new ways to develop our studies.

I joined the conference in 2011 in Glasgow and it has been such a huge pleasure, because it inspires my work and my research on Woolf. It has also been a great space for collaboration. I met many people to whom we have collaborated in different panels, projects and books.

Thinking against the current

The 29th Annual International Conference on Virginia Woolf aimed at discussing Virginia Woolf and Social Justice and was a great opportunity for us from Brazil to denounce the atrocities happening in our country under the administration of the current president, the unnameable.

Davi Pinho and I were thinking against the current and thinking back through Three Guineas to discuss our three dots: Education, LGBTQ+ and the Environment. That was only June and our situation has just been worse and worse, first fire in the Amazon, now an oil leak on the precious beaches of Northeast.

The conference was an invitation to think together about social justice, inclusivity, utopias and the future of humanities in our current political climate.

It must be emphasized that Brazil’s political situation is an effect of what is going on in the United States. So, we are together in this conference as sisters in solidarity, fighting and resisting the tyrants in power.

In what follows, I will present my view of the conference. Unfortunately, it is limited, because I could not attend all the panels, as I wished.

Woolf, age, ageism, and activism

Beth Rigel Daugherty, Leslie Hankins and Diane Gillespie presented a panel on “Portraying and Projecting Age, Ageism, and Activism” on day one.

The first panel I attended was “Portraying and Projecting Age, Ageism and Activism,” by Diane Gillespie, Leslie Hankins and Beth Daugherty, Woolf’s muses.  Diane Gillespie’s paper was a very interesting one, on Leonard and Woolf and Age/ism.  Leslie’s subject was about silent movies and the suffragette movement, it was an impressive panel, as always.

Following that, Beth Rigel Daugherty gave a very moving talk on “Virginia Woolf’s Aging Women and Me,” how Woolf’s novels are populated by women who struggle with the battle of aging – Mrs. Dalloway, Mrs. Ramsay, Miss La Trobe, Mrs. McNab, Lady Parry, the lady by the window – all of them losing their minds. The author reminds us that “aging is also a fight, a great battle on a daily basis.”

Woolf, African-American Modernism and Utopias

Sayaka Okumura of Japan and Maria Oliveira at the 29th Annual Conference on Virginia Woolf.

Elizabeth Abel in her brilliant lecture “The Smashed Mosaic: Virginia Woolf and African American Modernism” talked about Woolf in relation to James Baldwin’s A Biography. Again, utopia was the main issue when she discussed “Cruising Utopia: The then and the of Queerness Futurity.” She said that Queerness is our future and hope.

Abel stated: “Forget the room of one’s own, write in the kitchen, lock yourselves in the bathroom…” and I continue… write in the bus, in a library, in a café, in a garden, by the sea, in a forest, by the river… but write yourselves, inscribe your bodies in history.”

J. Ashley Foster gave an inspiring paper on “Three Guineas and Developing the Standing and Digital Humanities Exhibition Surveying Utopias: A Critical Exploration,” linking war and peace to a feminist and modernist pedagogy inspired by Woolf.

Foster brought up Jane Marcus to say that a feminist pedagogy allows us to navigate between past and present, a kind of communication that enables us to perceive history in a different way. How can feminism construct another plot for history, social justice and hope? In this case, utopia is more than necessary.

Woolf, #MeToo, and suffragists

Dr. Anne Fernald and Dr. Tonya Krouse presented a delightful discussion on the plenary session “Woolf in the Era of #Metoo movement, asking how do we think of women in this frame? How do we connect Woolf, the second wave of feminism and the movement #Metoo?

They reminded us that in the 1970s, the feeling was of shame, women were not to be believed, so they remained silenced. Now, women are learning how to speak up, how to get together and fight. The authors also reminded us of the transformative power of literature to fight for social justice.

In the panel “Suffragist, Public and Private,” Eleanor McNees delivered a provocative and stimulating paper “Women’s Rights and Family Feuds: A Room of One’s Own, The Pargiters and Suffragist Responses to James Fitzjames Stephen,” linking Woolf to the first wave of feminism and to founding texts of that time, such as Subjection of Women, by John Stuart Mill and James Fitzjames Stephen, who fought for liberty, equality and fraternity. Moreover, McNees discussed Woolf’s participation in the women suffrage journal, her lecture for the London National Society for Women’s Service in 1931.

Mi Jeong Lee in her brilliant paper “Re-mapping Public and Private Specters of the Suffragette in Mrs. Dalloway’s Urban Parks,” analyzed the parks as public spaces for male imperialists, while women occupied domestic spaces, when women appear in the parks, we have the homeless, the old woman, the beggar in Mrs. Dalloway, a woman of no age, no sex.

Woolf and inclusivity

During the plenary Erica Delsandro and Kristin Czarnecki argued about “Woolf and Inclusivity” and they raised many questions:

  • Who is included and how?

    Erica Delsandro and Kristen Czarnecki at a plenary on Woolf and inclusivity at the 29th Annual International Conference on Virginia Woolf last June.

  • As you engage in the work of inclusivity, or more particularly, the work of decolonizing the academy, what challenges are you encountering?
  • Are inclusive projects legible to our professional communities?
  • How are such projects approached, read and valued?
  • Are we shaking, challenging the scholarly canon?
  • What are the benefits of undertaking inclusive reading projects, projects that often cut across the conventional analytical categories in the field?
  • Does this approach to reading and research impact your teaching and your pedagogical choices? If so, How?

Adriana Varga presented a very instigating paper about “Alienation: A View of Social Justice in Tony Morrison’s Reading of Mrs. Dalloway” that raised a lot of discussions on the anxiety of influence, but also on how we can read Woolf backwards, reading Woolf through Tony Morrison and, in my case, through Clarice Lispector. That paper brought a lot of food for thought. It was really inspiring.

In the last day we had a plenary discussion “Woolf and the Future of the Humanities in our Current Political Climate,” with Mark Hussey, Vara Neverow, Madelyn Detloff, Benjamin Hagen, Susan Wegener, and Laci Mattison.

That was a moment to think about Woolf and utopia, since we live in moments that we are fighting and resisting and there are moments of paralysis, of hostility, of political despair. That is the Brazilian scenario right now, a moment of political despair and we doubt about our future.

Is the Woolf conference headed to Brazil as we fight against the mainstream across the globe?

We finished the plenary discussing Woolf and inclusivity, how much is it including or excluding? Isn’t time for us to discuss Woolf’s racism, imperialism and anti-Semitism?

We talked about Woolf in global studies and Woolf in different languages, as Stefano argued. I know that now there is an Italian Virginia Woolf Society and another one in Korea.

I would love to take the Woolf conference to Brazil and we are starting to organize that. It would be also be divine to see a conference in China, India, Africa. At the end of the conference, I feel that social justice led us to utopia, to hope for better days and to keep fighting and thinking against the mainstream.

Read more in the series:

Comaraderie among natty young Woolf scholars at the Saturday evening banquet at the 29th Annual International Conference on Virginia Woolf. L-R Todd Nordgren of the U.S., Cecilia Servatius of Austria, and Michael Schrimper of the U.S.

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This is the second in a new series of posts that will offer a global perspective on Woolf studies, as proposed by Stefano Rozzoni at the 29th Annual International Conference on Virginia Woolf. If you would like to contribute to this series, please contact Blogging Woolf at bloggingwoolf@yahoo.com.

Veronika Geyerová presenting at the 29th Annual International Conference on Virginia Woolf at Mount St. Joseph University

When I saw Stefano Rozzoni’s idea about sharing our experience concerning the 29th Annual International Conference on Virginia Woolf, I thought that it might be a good way to express my feelings and gratefulness for the great and enriching moments I experienced at Mount St. Joseph University. I would also like to share a few facts about Woolf studies in the Czech Republic as it may sound ”exotic” to some people that Woolf is studied even there.

On the Woolf trail

I started to be a Woolf enthusiast early at grammar school and I decided to pursue my passion for literature at the University of South Bohemia in Budweis where I studied English philology and French philology. I wrote my BA and MA thesis on Woolf and her conception of time and because my longing for knowledge had not been satisfied by then, I decided to continue as a PhD student at Charles University in Prague.

I have just finished the second year of my study in which I again focus on Woolf. In particular, my dissertation deals with material objects and reality in her fiction from the non-dualist perspective of process philosophy.

Unfortunately, I was too scared to submit an abstract for last year’s conference but this year I decided to summon up courage and bingo – my paper was accepted!

As a Woolf conference newbie

Understandably, I arrived at Mount St. Joseph and the Woolf conference pretty nervous because it was my first time in the US and also my premiere in front of the Woolf community. For that reason I really appreciated Drew Shannon’s introductory talk on the first day when he was saying that he felt he was a complete ”misfit” during his first contact with the community – so did I!

However, my worries and nervousness dissolved as soon as I got to know a few people and I understood that the community is incredibly openhearted and welcoming in the Whiteheadian sense – “the many become one and are increased by one.” Moreover, I started to feel like “a fish in water” (as we say in Czech) because I finally met people who are sincerely passionate about the same subject like me.

After I had given my talk, I felt even more relaxed and was able to enjoy the lively atmosphere of the conference. To be honest, I was astonished at the range of topics related to Woolf that were presented at the conference. In addition, It was so refreshing to hear people draw parallels between Woolf and current issues like racism, LGBT community rights, the rising wave of populism all over the world (really, our Czech prezident Zeman and the Prime Minister are not much better than Trump), etc.

Meeting of the minds

Most of all, I wish to thank the organizers of the conference for a really smooth and extremely well-prepared event and for the given opportunity to present my work in front of the people whose feedback is invaluable for me. Thanks to the conference, I have met a lot of wonderful scholars whom I had wanted to meet in person and whose papers and books I read and I highly respect (I do not want to name anyone).

I am also really pleased with a positive feedback on my current research from those who take pleasure in reading literature through the philosophical lens. Indeed, I am more motivated to continue in my research than before the conference because I can see that it is worth being a part or such an inspiring and extraordinary community.

Woolf and Modernism in the Czech Republic

As I have promised, I would also like to provide an insight into Woolf studies in the Czech Republic. Woolf is, of course, a part of obligatory reading at high schools and particularly at English Literature departments at most Czech universities. She is often the author whom BA and MA students choose for their theses.

I was lucky because I studied under an excellent and (not only) modernist scholar Martin Hilský who has written many essays and even one monograph on modernism. His wife Kateřina Hilská is a prominent Czech translator and she is the author of most Czech translantions of Woolf’s novels, diaries and short stories. Thanks to her magnificent translations, Woolf is quite popular with Czech readers. Nevertheless, this modernist author remains one of those artists who are either adored or rejected (from my own experience, even my university colleagues call her a “hyper-sensitive woman” or “suicidal bitch”). 

Woolf in translation — or not

Obviously, Mrs. Dalloway and To the Lighthouse are Woolf’s most known novels in the Czech Republic. However, some novels, for example Night and Day or The Years, have not been translated into Czech yet. On the contrary, my favourite novel The Waves has been translated into Czech, although it is extremely difficult for both the translator and for the reader.

Quite interestingly (a note for my conference colleague Natalia), the Czech edition of Orlando and Three Guineas do not include photos. Unfortunately, there is no official Woolf society in the Czech Republic, which is a pity and something that should be improved in the future. As a result, I have joined the International Virginia Woolf Society last month.

I would like to end my post with personal experience from entrance exams to one of Czech PhD English Literature programmes. At the entrance interview I was introducing my dissertation proposal on Woolf and material reality in her fiction and although I had great recommendation from the previous study and excellent study results,

I was rejected on the basis of choosing Woolf for my research. The committee basically told me that she is a kind of “exploited” author, they asked me about the novelty of my research and recommended opting for another author and apply again the following year. I guess that you can imagine my disappointment after I had been told that I could not study the only author that I really want to study in depth.

Why I read Woolf

I cannot resist saying that Woolf is someone very dear and special to me because she sometimes speaks from the depths of my heart. I strongly believe that this is also the only prerequisite for a successful and lasting academic work. Although Woolf has been discussed by a great number of scholars and from countless points of view, I reckon that every individual response to Woolf is unique and contributes to the vast already existing scholarship.

In my opinion, the talks and presentations given at the conference just prove it and moreover, they justify Woolf’s stable and relevant position among contemporary writers (who are often given preference because they guarantee “novelty” and “originality”).

For this reason, I would like to express my gratefulness to my supervisor Ladislav Nagy, who has always encouraged me in studying Woolf, for giving me the ideas about the philosophical background of my research and for letting me explore the themes that I am interested in without imposing any limitations.

Struggle of the humanities

The sad incident described above undeniably stems from the humanities’ struggle for money and the government’s urge to turn them into ”hard science” (especially in the Czech Republic there is a general tendency to debase the humanities in favour of natural science and technology studies). Hopefully, literary scholarship will survive and flourish thanks to the passionate group of scholars such as Woolf’s community whose motto might be Woolf’s quote from A Room of One’s Own:

Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.

 

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Kind. Gentle. Tough. Those were the words used to describe Cecil Woolf in the Camden New Journal story reporting on the Oct. 19 memorial service held in his honor at St. Peter’s Church in Belgravia, London.

Cecil Woolf and Jean Moorcroft Wilson at their home in London, June 2017.

About 150 friends, relatives, colleagues, and admirers attended the service for Cecil, the oldest living relative of Virginia and Leonard Woolf, who died June 10 in London at the age of 92.

Claire Nicholson, chair of the Virginia Woolf Society of Great Britain, and Vivien Whelpton of the War Poets Association spoke, as did his widow, Jean Moorcroft Wilson. Each recalled Cecil’s work as a a gentleman, a publisher, and an advocate for social justice.

More memorials in print

Issue 95, the Spring/Summer 2019 issue of the International Virginia Woolf Society’s Miscellany will include a special section devoted to Cecil.

In addition, a paper based on the panel “The Woolfs, Bloomsbury, and Social Justice: Cecil Woolf Monographs Past and Present,” which was presented at the 29th Annual International Conference on Virginia Woolf, has been accepted for publication in the two-volume conference proceedings. Published by Clemson University Press, each volume will include 16 essays.

Retitled “The Woolfs, Bloomsbury, and Social Justice: the Ongoing Legacy of Cecil Woolf Publishers as an Advocate for Social Justice,” the paper will be co-written by:

  • Karen Levenback (Franciscan Monastery). Introduction to Cecil Woolf Publishers
  • Lois Gilmore (Bucks County Community College), “A Legacy of Social Justice in Times of War and Peace.”
  • Paula Maggio (Blogging Woolf), “Cecil Woolf Publishers: Using the Power of the Press to Advocate for Peace.”
  • Todd Avery (University of Massachusetts, Lowell), “Just Lives of the Obscure: Cecil Woolf, Biography, and Social Justice.”
  • Vara Neverow (Southern Connecticut State University) Respondent

This photo of Cecil Woolf as a young lance-corporal fighting in Italy in the Second World War was used on the cover of the Order of Service at his Oct. 19 memorial service.

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