One of the benefits of being a member of the International Virginia Society is receiving copies of the society’s publication, the Virginia Woolf Miscellany.
AnneMarie Bantzinger
The latest installment, Issue 98, is now online. It features the special topic “The First Thirty Annual (International) Conferences on Virginia Woolf,” edited by AnneMarie Bantzinger.
The collection, solicited in 2019, offers a collage of reminiscences and memories that evoke the conference experiences from multiple perspectives, those of organizers and participants.
Among them is one I wrote about the 2009 conference in New York City. I’m sharing it here.
Woolf and the City: Wow!
Conference organizer Anne Fernald and Megan Branch, Fordham student, at Woolf and the City
And that is why “Wow!” was my immediate reaction to Woolf and the City, the 19th Annual International Conference on Virginia Woolf. Ten years later that is still my emotional response when I think of that 2009 event, which is why I chose the New York City conference as my personal hands-down favorite among the ten Woolf conferences I have attended.
Notable scholars, authors, readers
It featured 50 panels, attracted 200 Woolf scholars and common readers from around the globe, and introduced me to notable authors I never dreamed I would meet.
Ruth Gruber at Woolf and the City
One was Dr. Ruth Gruber, who died in 2016. Ninety-seven at the time of the conference, she was known as a journalist, photographer, and the author of Virginia Woolf: The Will to Create as a Woman (1935).
She shared fascinating stories of her 1930s experiences as a journalist who visited the Soviet Arctic and a writer who met Virginia and Leonard Woolf in their Tavistock Square flat.
I remember chatting with this redhead curbside as she patiently waited for the cab that would take her home.
Novel writer and keynote speakers
Susan Sellers
Another was Susan Sellers, author of Vanessa and Virginia, the novel based on the relationship between sisters Vanessa Bell and Virginia Woolf, which was receiving rave reviews in the US at the time. I recall her graciousness as she signed books and chatted with readers.
From a walking stick to rock music
What else struck my fancy? Here’s the list:
- A visit to the Berg Collection at the New York Public Library, where we were treated to a private viewing of pieces in the Virginia Woolf collection, including the walking stick rescued from the River Ouse after her death. Being there felt more sacred than church.
- A performance of the 2004 play Vita and Virginia, written by Dame Eileen Atkins and directed by Matthew Maguire, director of Fordham’s theatre program.
- A performance that combined rock-out music from an L.A. band called Princeton
with dance from the Stephen Pelton Dance Theatre as the group performed cuts from its four-song album “Bloomsbury” based on the lives of Virginia and Leonard Woolf, John Maynard Keynes, and Lytton Strachey. - And, of course, the cherished presence of Cecil Woolf and Jean Moorcroft Wilson and their collection of Bloomsbury Heritage Series monographs, including my first, which debuted at that conference — Reading the Skies in Virginia Woolf: Woolf on Weather in Her Essays, Her Diaries and Three of Her Novels — making Woolf and the City extra memorable.
Cecil Woolf and Jean Moorcroft Wilson at Woolf and the City in 2009
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