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Anita Brookner

Anita Brookner published her first novel in 1981 at the age of 53, following with one a year until 2000 when she slowed down just a bit. Her 25th novel, Strangers, was released this year.

She rejects feminism, and her protagonists are very traditional, but sometimes they make surprisingly independent and unorthodox choices.

Virginia Woolf appears in at least two of her novels, once as a significant icon and once in passing, both references adding flavor to the stories.

Hotel du Lac

hotel du lacEdith Hope is a romance writer with the pen name of Vanessa Wilde. People have noted her resemblance to Virginia Woolf, including her publisher, who says: “She really does look remarkably Bloomsburian…the hollowed cheeks and the pursed lips.”

Her life in disarray, she retreats to a Swiss resort and its eclectic cast of characters. A man says, “Whoever told you that you looked like Virginia Woolf did you a grave disservice, although I suppose you thought it was a compliment.” Edith prefers men to women, and favors the work of Colette and Henry James. Yet she is proud that she earns her own money, and she rejects the opportunity for a conventional life of comfort and ease.

Undue Influence

undue influenceClaire faces her future after her mother’s death, content to take life as it comes: her job in a Bloomsbury bookshop, involvement with the lifeless Martin. Claire’s opening line is a hook: “It is my conviction that everyone is profoundly eccentric.” She admits to making hasty assessments as a result of observing rather than participating in life, but her bland façade hides secrets.

Claire says of the bookshop owners: “I was surprised that they…always had lived in Bloomsbury. But I suppose that what was once an accident of geography had hardened over the years to a conviction that he was part of a ‘set’, an authentic Bloomsburian. Whether [Virginia Woolf] ever noticed him when they passed in the street, as they must have done on occasions, would have been highly unlikely.”

The Debut

debutI reread Brookner’s first novel, with another woeful protagonist and dutiful daughter, and another great opening line (“Dr. Weiss, at forty, knew that her life had been ruined by literature”), wondering if I might find a forgotten reference to Virginia Woolf.

Woolf didn’t appear, but Ruth Weiss, an authority on women in Balzac, seems the academic counterpart to Edith Hope. “Her appearance and character were exactly halfway between the nineteenth and twentieth centuries; she was scrupulous, passionate, thoughtful, and given to self-analysis, but her colleagues thought her merely scrupulous…” She is often sidelined by the exploits of her manipulative parents and escapes for a time to Paris to pursue her Balzac studies.

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Hermione Lee
Hermione Lee

Hermione Lee’s The Novels of Virginia Woolf is just one of 18 titles that academic publisher Routledge will repackage and republish as part of its Routledge Revivals series on July 15.

Routledge will reissue more than 100 of its key titles from its backlist over the next 12 months, reproducing them using print on demand.

The first 18 titles will be published in hardback at prices ranging from £50 to £100. The majority of the titles will be available through print-on-demand services and for download as e-books.

Amazon.com lists the Lee title with a publication date of Oct. 15 and a price of $122.

Editorial assistant Adam Micklethwaite said, “We have such a distinguished list—it is inevitable that we would use this in the time of an economic recession.” Read more.

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poundsOh, it is hard times all around, indeed.

The rare copy of Virginia Woolf’s 1919 book The Mark on the Wall, which was expected to net up to £600 for charity, went for just £300 instead.

Here is the updated story and the initial post.

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auctionA second edition of Virginia Woolf’s 1919 book The Mark on the Wall will be among 120 publications  auctioned off at Bonhams near Kidlington June 16.

Volunteers found Woolf’s book and five other collectible titles in dusty boxes at three different shops. Woolf’s book was donated at the Oxfam bookshop in St. Giles, and is expected to net up to £600.

The rare titles are expected to net the Oxford-based charity more than £2,000.

Read more about the sale, and visit Oxfam’s online shop, where you can find an interesting selection of second-hand books by or about Woolf as well as Hogarth Press editions.

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woolf_and_the_city2My headline is a blatant come-on. I know that. But I simply can’t resist shouting out loud in cyberspace about Cecil Woolf’s appearance at the Woolf conference.

And that’s not just because he is my publisher. It’s actually because he is such a dear — and the nephew of Leonard and Virginia Woolf to boot.

I met Cecil Woolf at the 17th Annual International Conference on Woolf, which was held in 2007 at Miami University of Ohio, within driving distance of my Northeast Ohio home.

It was my first Woolf conference, and I felt slightly intimidated — despite my advanced age — as I stood by myself at the opening reception. There I was, surrounded by the brilliant Woolf scholars whose books were my friends, even though the writers themselves were complete strangers to me.

Drew Patrick Shannon, a young Woolf scholar from the Cincinnati area, sort of took me under his wing that evening. He and his friends were funny and bright, and they seemed to know everyone. One person they knew — and pointed out to me — was Cecil Woolf.

The next day, while browsing the book tables, I lingered at the one covered with artfully decorated softcover volumes published by Cecil Woolf  Publishers. It was staffed by Cecil himself, and our conversation lasted right through the next conference session.

One conversation led to another, and by the time I drove home from Oxford, I had agreed to write a monograph for Cecil on Woolf and weather, a topic I had been researching and musing about for six years. 

Drew, who congratulated me that day but wondered aloud what idea he could pitch to Cecil, is now writing How Should One Read a Marriage? Private Writings, Public Readings, and Leonard and Virginia Woolf. It will be published in Cecil’s Bloomsbury Heritage Series later this year. 

So if you are on the fence about attending the conference, get off the fence and into the city. Even if you have to beg, borrow or steal the $45 for a one-day pass.

Besides all of the fabulous sessions on the conference schedule, believe this: You won’t want to pass up the opportunity to meet Cecil Woolf. You never know what may come of it. 

Stop by the opening reception for the conference, from 6 to 7:30 p.m. June 4, where I will be signing copies of my monograph, Reading the Skies in Virginia Woolf: Woolf on Weather in Her Essays, Her Diaries and Three of Her Novels. Cecil will be there too.

The signing will be held  in Fordham University’s Lowenstein Plaza Lobby, 113 W. 60th St. in New York’s Lincoln Center.

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