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Archive for the ‘Woolf online’ Category

A screenshot of the title page of the scanned Common Reader: Second Series

Edward Mendelson of Columbia University has shared scanned images of three sets of proofs newly discovered in Columbia’s library. They include two Virginia Woolf novels, as well as an edition of The Common Reader: Second Series.

These invaluable resources are available on Mendelson’s web page — where he has shared his scanned proofs of other Woolf novels. The new scans include the following:

  1. The corrected proofs sent to Harcourt, Brace of  The Waves (1931) “in which the multicolored revisions on p. 301 are a sight to behold,” according to Mendelson. He notes that the page contains links to scanned PDF images of the proofs and early printings of The Waves and to PDF documents containing the texts of those editions, extracted from the scanned images. This page also includes notes on the text and on existing editions of the novel.
  2. The corrected proofs sent to Harcourt, Brace of The Common Reader: Second Series (1932). Scanned images of the marked proofs sent to Harcourt, Brace from the Columbia University Library.
  3. The uncorrected proofs sent to Harcourt, Brace of Orlando (1928), with some index entries added in an unknown hand. Scanned images of the proofs sent to Harcourt, Brace of Orlando from the Columbia University Library. Mendelson notes that Virginia or Leonard Woolf removed the leaf with the list of illustrations (pp. 13-14) before sending these proofs.

More Woolf scans from Mendelson

Mendelson has provided scans of other Woolf works.

More on The Waves

You can also read about Mendelson’s take on “the chapter gone wrong” in The Waves.

Mendelson is the Lionel Trilling Professor in the Humanities at Columbia University. His new book, The Inner Life of Mrs Dalloway, is out this month from Columbia University Press, along with Mrs. Dalloway: The First-Edition Text with the Author’s Revisions, edited by Mendelson and published by New York Review Bookshis new edition of Mrs. Dalloway.

A screenshot of pg. 1 of the comparison of the first American edition and the first British edition of The Waves.

A page in Woolf’s first notebook in which she penned a draft of The Waves

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If you have ever wanted to review details of the changes Virginia Woolf made in the various editions of Mrs. Dalloway, they are now available for free online, thanks to the efforts of Edward Mendelson of New York’s Columbia University.

On his webpage, “Virginia Woolf, Mrs. Dalloway: Texts and Scanned Images,” Mendelson provides links to searchable scanned PDF images of four early printings of Mrs. Dalloway and to PDF documents containing the texts of those editions.

The four early printings include:

  • Two editions of Woolf’s novel that were published on the same day, May 14, 1925 — the British edition by the Woolfs’ Hogarth Press, with a dust jacket designed by Vanessa Bell and the American edition by Harcourt, Brace & Company, with the same Vanessa Bell just jacket;
  • the second impression of the British edition, published by the Hogarth Press in September 1925;
  • the third impression of the British edition (the “Uniform Edition of the Works of Virginia Woolf”), published by the Hogarth Press in September 1929 and reprinted without change in 1933; and
  • the Introduction to the Modern Library reprint of the American edition, dated June 1928.

Mendelson scanned the four textually-significant editions of Mrs. Dalloway listed above and posted the scans, together with texts extracted from the scans, on his site. Also on the site is a PDF that compares the texts of the first American and first British editions. Mendelson claims it is “easy to see the differences within the text, rather than by consulting a table of variants.”

The page also includes notes on Virginia Woolf’s revisions in the later Hogarth printings, and some notes on the texts of current editions.

Mendelson notes that “the scans are of less than ideal quality” because he is a first-time book scanner using lower quality scanning equipment and the battered and damaged copies of the early editions that he found affordable.

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It is Virginia Woolf’s 143rd birthday. But I am not the only one thinking of her today. Here are a few photos and posts being shared by others online in honor of her Jan. 25, 1882, birthday.

Annual Birthday Lecture

The Virginia Woolf Society of Great Britain hosts an annual lecture in honor of Woolf’s birthday. This year’s, held today, featured Eleanor McNees speaking on “Double Vision: Woolf’s Reading of Hardy and Meredith Through Leslie Stephen’s Eyes.”

Eleanor McNees is pictured cutting Virginia’s birthday cake, decorated with a photo of a young Virginia with her father, Leslie Stephen, at the Annual Birthday Lecture sponsored by the International Virginia Woolf Society of Great Britain. McNees’s topic was “Double Vision: Woolf’s Reading of Hardy and Meredith Through Leslie Stephen’s Eyes.”

Artist pamphlet on Virginia Woolf in the city

Artist Louisa Albani’s new beautifully illustrated pamphlet, “Virginia Woolf in the City: Oxford Street Tide,” became available today, in honor of Woolf’s birthday.

More Facebook posts noting Woolf’s birthday

French magazine cover features Woolf

This magazine cover photo was posted on Facebook today in honor of Woolf’s birthday. It is not clear when the issue was published, but the cover story features Woolf.

Read more birthday posts

 

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Virginia Woolf’s short story “The Mark on the Wall,” published in 1917, was one of the first two stories printed and published by Virginia and her husband Leonard when they started the Hogarth Press. A new experimental short film, now available online, brings her first published story to life.

Anderson Wright’s evocative and experimental short film is described as capturing the essence of Woolf’s stream-of-consciousness narrative, in which a seemingly insignificant mark on the wall triggers the exploration of memory, identity, and the passage of time.

I watched it and found it hauntingly beautiful, with the final words of the film echoing Woolf’s own, minus her words about war.

If you have three minutes and forty-four seconds at your disposal, you can watch it, too.

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Join Literature Cambridge for its fifth Woolf Season of lectures and seminars, all live online with leading Woolf scholars. The next session in the current “Woolf and Politics” season is Saturday, Dec. 7. The season includes one session per month until June 2025.

Here’s the schedule

  • Saturday, 7 Dec. 2024, Ellie Mitchell on Woolf’s War Diary
  • Saturday, 11 Jan. 2025, Danell Jones on A Room of One’s Own (1929) and Black Britain
  • Saturday, 8 Feb. 2025, Natasha Periyan on Education in The Years (1937
  • Saturday, 8 March 2025, Trudi Tate on Mrs Dalloway (1925) and the Vote
  • Saturday, 12 April 2025, Varsha Panjwani on The Politics of Orlando (1928)
  • Saturday 10 May 2025, Angela Harris on The Politics of Jacob’s Room (1922).
  • Saturday 14 June 2025, Claire Davison on Body Politics and Clothing in Three Guineas (1938)

All sessions are at 6 p.m. British Time and last a maximum of two hours.

Prices and booking

Book online for each session you wish to attend.

Prices for individual lectures are:

£32.00 full price
£27.00 Students and CAMcard holders
£27.00 Members of the Virginia Woolf Society of Great Britain

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