Feeds:
Posts
Comments

Archive for April, 2021

Starting yesterday and continuing through May 28, Berkeley Rep is presenting an ambitious new work: “The Waves in Quarantine,” free and online.

The project, based on Virginia Woolf’s 1931 poetic novel, The Waves, consists of six short films that meditate on friendship, loss, and the making of art in this world-changing year.

According to the performance website, the work includes “dazzling choral music, text from the novel itself, exquisite visual imagery, and access behind the scenes as these artists imagine, question, explore and experiment.”

While this online event is free, an RSVP is required at this link.

Read Full Post »

Literature Cambridge will finish its first Woolf Season with the last of Virginia Woolf’s major books.

Here is what remains on the schedule:

• Anna Snaith on The Years (1937), Sun. 2 May, 6 p.m.
• Claire Davison on Three Guineas (1938), Sat. 8 May, 6 p.m.
• Claire Nicholson on Between the Acts (1941): Costume, Sat. 29 May, 6 p.m.
• Karina Jukobowicz on Between the Acts (1941): Dispersed Are We, Sat. 5 June, 10 a.m.

Two repeats

And, in case you missed them, two earlier lectures will be repeated:

• Claudia Tobin, Art in To the Lighthouse (1927), Sun. 16 May, 6 p.m.
• Emma Sutton and Jeremy Thurlow, Music in The Waves (1931), Sun. 30 May, 6 p.m.

All sessions are live on Zoom. All times are British Summer Time. Sessions can be booked online.

Trudi Tate and Karina Jacubowicz are just two of the lecturers in the Literature Cambridge’s online courses on Virginia Woolf via Zoom.

Read Full Post »

Marking the 80th anniversary of Virginia Woolf’s death, the London Library will present an online dramatization of Virginia Woolf’s iconic 1928 feminist polemic, A Room of One’s Own, on Saturday, May 1, 8-9 p.m. BST.

The dramatization is adapted by Linda Marshall-Griffiths, directed by Charlotte Westenra, and filmed in The London Library.

Tickets are £10 and are available from the London Library website.

The event is part of the three-day online London Library Lit Fest, Saturday, May 1, to Monday, May 3. Festival Passes are available that include one ticket to all 14 main events, at a cost of £25.

Ticket holders are able to watch the online events live or any time up until June 13. They will be sent a link 24 hours before the event.

Read Full Post »

Is it today? Or was it yesterday? The date of the centenary anniversary of the publication of Virginia Woolf’s short story collection Monday or Tuesday is under debate, the Virginia Woolf Society of Great Britain admits.

Roundtable participants at the 27th Annual International Conference on Virginia Woolf in 2017 sit below a screen showing a digitized ledger sheet from the Hogarth Press.

The society celebrated the centenary with an email message to members and a post on its Facebook page that included mention of the date disparity, background about the book, and a list of the stories in the 1921 volume, the only collection of Woolf’s short fiction published in her lifetime.

Short stories in Monday or Tuesday

  • A Haunted House
  • A Society
  • Monday or Tuesday
  • An Unwritten Novel
  • The String Quartet
  • Blue & Green
  • Kew Gardens
  • The Mark on the Wall

About the book

Leonard and Virginia handset the type for Monday or Tuesday, which was the first of Woolf’s hardback books published by the Hogarth Press.

Vanessa Bell created the cover art, as well as the four woodcuts that appear inside the Hogarth Press edition.

Art and content aside, in Beginning Again, Leonard described it as “one of the worst printed books ever published, certainly the worst ever published by The Hogarth Press” (239).

Modernist Archives Publishing Project

The digital collection of the Modernist Archives Publishing Project, which officially debuted at the 27th Annual International Conference on Virginia Woolf: Virginia Woolf and the World of Books, includes Leonard’s order book. In his meticulous fashion, it details the names of people who bought copies of the original volume.

Photos courtesy of the Modernist Archives Publishing Project

Read Full Post »

I just stumbled across a saved email from two years ago that included a link to a 16-minute YouTube video that provides a photographic timeline of Virginia Woolf’s many looks, from youth to adult, from formal to playful.

The music accompanying the timeline, which I am belatedly sharing, is by Philip Glass, who also composed the music for the 2002 film “The Hours.”

Read Full Post »

%d bloggers like this: